miercuri, 16 iulie
-
07:00 Bach - Cello Suite No. 1 in G major, BWV 1007At St. Bartholomew Church in Dornheim, Germany, where composer Johann Sebastian Bach married his first wife Maria Barbara, renowned Dutch cellist Anner Bijlsma performs the composer's Cello Suite No. 1 in G major, BWV 1007. It is likely Bach wrote his collection of six Suites for unaccompanied cello during the years 1717-1723. His cello suites are an essential part of the cello repertoire, highlighting the instrument's manifold polyphonic possibilities. As customary in a Baroque suite, each movement is based on a dance type. Bach's Suite No. 1 opens with a prelude, and is followed by six dance movements, divided over five sections: an allemande, a courante, a sarabande, two minuets, and a final gigue.
-
07:21 Brahms - Tragic Overture in D minor, Op. 81The Maggio Musicale Fiorentino (Florence Musical May) is Italy’s oldest opera and arts festival. It was founded in 1933 with the aim of presenting contemporary and forgotten operas. Over the years, the scope widened, and orchestral concerts have long been an integral part of the festival. As part of the festival’s 2021 edition, maestro Daniel Harding leads the Orchestra del Maggio Musicale Fiorentino in a wonderful concert program featuring Johannes Brahms’s Tragic Overture in D minor, Op. 81, and Gustav Mahler’s Symphony No. 1 in D major, ‘Titan’. Brahms composed his concert overture during the summer of 1880. With its dark and tumultuous character, it could be regarded as the serious counterpart of his more joyful Academic Festival Overture, Op. 80. Mahler completed his first symphony eight years later, in 1888. Originally a five-movement piece, the composer discarded the second movement ‘Blumine’ some years later, resulting in the final four-movement version we know today. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, in 2021.
-
07:37 Celebrate Saint-Patrick 2019Armagh is one of the oldest cities of Ireland and also the place St-Patrick choose to build his first stone church. Nowhere in the world is the connection with Saint-Patrick more meaningful than in this city and the neighbouring counties in which he lived. This program brings the viewers to places most associated with Saint-Patrick and brings highlights of the annual concert, held in the cathedral that bears his name. Join composer and presenter John Anderson as he conducts a celebratory and reflective event honoring Saint-Patrick. A range of choirs unite in a unique evening of music and spoken words in the beautiful cathedral setting. Recorded March 9th, 2019.
-
08:32 CMIM Voice 2022 - Semi-final: Arvid FagerfjällBaritone Arvid Fagerfjäll (Sweden, 1991) performs ‘Chanson à boire’ from Édouard Lalo’s Chansons pour voix et piano, Op. 17; ‘Was in der Schenke waren Heute’ from Hugo Wolf’s Goethe-Lieder; ‘Geselle, woll’n wir uns in Kutten hüllen’ from Wolf’s Italienisches Liederbuch, Vol. I; ‘And I have sat’ and ‘Yea, for this love of mine’ from Aribert Reimann’s song cycle Shine and Dark; ‘Martus’ (Stormclouds) from Gustav Holst’s Hymns from the Rig Veda, Op. 24; ‘Und hat der Tag all seine Qual’ from Alexander von Zemlinsky’s 4 Gesänge, Op. 8; ‘Le cygne’ from Maurice Ravel’s Histoires naturelles; ‘La fleur qui va sur l’eau’ from Gabriel Fauré’s 3 Mélodies, Op. 85; and ‘Mit Myrten und Rosen’ Robert Schumann’s Liederkreis, Op. 24, during the semi-finals of the Art Song division of the Concours musical international de Montréal 2022 (CMIM). This performance was recorded at the Bourgie Hall of the Montreal Museum of Fine Arts.
-
08:59 Memory of a ConcertIn 2006, Gidon Kremer and Martha Argerich set out on tour performing solos and duets by Bartók und Schumann. The last of the concert series at the Berliner Philharmonie has been recorded for this film, featuring a rare solo performance by Martha Argerich. A concert film with personal and moving commentary by Gidon Kremer. Program: Schumann's Violin Sonata No. 1, Op. 10, Violin Sonata No. 2, Op. 121; Kinderszenen, Op. 15; Bartók: Violin Sonata No. 1 Sz 75; Violin sonata No. 2 Sz 76.
-
09:54 PIAM - Semi-final I: Debussy, Chopin and LisztAcclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Ying Li (China, 1997) performs Claude Debussy’s Images, book I; Frédéric Chopin’s Nocturne in C-sharp minor, Op. 27 No. 1; and Franz Liszt’s Paraphrase from Verdi’s ‘Rigoletto’. This performance was recorded at Teatro EDI Barrio’s in Milan, in February 2020.
-
10:25 Classica SpotlightCinematic classical clips and energizing concert pieces featuring up-and-coming artists.
-
11:02 Beethoven - Symphony No. 7, Op. 92Karita Mattila (soprano), Violeta Urmana (alto), Thomas Moser (tenor), Eike Wilm Schulte (bass), Swedish Radio Choir, Eric Ericson Chamber Choir, Berlin Philharmonic Orchestra, conductor: Claudio Abbado. Ludwig van Beethoven (1770-1827): Symphony No. 9 in D minor, Op. 125. The European Concert has been a tradition of the Berliner Philharmoniker since 1991. The musicians commemorate the anniversary of the orchestra's founding on May 1st, 1882, playing in different European cities. In 2000, the orchestra played at home in the Berlin Philharmonic Hall.
-
12:10 Schubert - String Quartet No. 15 in G majorLes Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance, Les Dissonances’ string quartet – consisting of David Grimal (violin), Hans Peter Hofmann (violin), David Gaillard (viola), and Xavier Phillips (cello) – performs Franz Schubert’s String Quartet No. 15 in G major, D. 887, Op. 161. Schubert composed this work, his final string quartet, in a mere ten days in June 1826. However, this highly original piece, characterized by its restless shifts between major and minor, was not published until after Schubert’s death in 1851. This performance was recorded at Cité de la Musique in Paris, France, in 2014.
-
12:58 How to get out of the Cage - A year with John CageThe compelling documentary How to Get Out of the Cage (2012) by award-winning filmmaker Frank Scheffer presents an intimate portrait of John Cage (1912-1992), one of 20th century's most important composers. From 1982 to 1992, Scheffer worked with Cage on numerous occasions, which resulted in unique archives of historical audio-visual material, including interviews, musical performances, and images of locations related to the composer’s life and work. In all Scheffer’s works related to Cage, he used the old Chinese method of chance operations based on the Yi Jing – as often used by Cage himself in his compositions. Instead of using chance operations, Scheffer edited the film in the usual way that is based on choice.
-
13:54 Chamber Music by Mozart and Von DohnányiThe Valerius Ensemble, consisting of Carola Ligt (flute), Robert Windak (violin), Eva Šušlíková (viola) and René Geesing (cello) played a concert in Concordia, Enschede on April 23, 2018. The program consists of Mozarts Flute Quartet No. 1, K. 285 and the Romanzo from Von Dohnányi’s Serenade Op. 10. Caroli Ligt follows with her own composition “Moods.” The ensembles closes with Thomas-Mifune’s and Joseph Haydn’s “Südamerikanische Saitensprünge.”
-
14:23 Stravinsky: Firebird Suite No. 2Iván Fischer conducts the Budapest Festival Orchestra in a concert recorded at the Béla Bartók National Concert Hall in Budapest, Hungary in 2015. The concert opens with Sergei Prokofiev's Overture on Hebrew Themes, Op. 34. After this, Thomas Zehetmair stars as solo violinist in Prokofiev Violin Concerto No. 2, Op. 63. The second part of the concert is features music by Igor Stravinsky. On the program is music composed for the ballet 'Jeu de cartes' (1937) and the Firebird Suite, No. 2 (1919). 'Jeu de cartes' is one of Stravinsky's neo-classical works and consists of three parts ('deals'). The Firebird Suite, No. 2 is based on the music from the ballet of the same name, which was written for Sergei Diaghilev's Ballets Russes and premiered in Paris in 1910.
-
14:47 Classica SpotlightCinematic classical clips and energizing concert pieces featuring up-and-coming artists.
-
15:00 Berlioz - La damnation de FaustSir Simon Rattle and the London Symphony Orchestra mark 150 years since the death of Hector Berlioz with his tempestuous oratorio, La damnation de Faust. La damnation de Faust is a work born of the composer’s obsession with Goethe’s legendary tale. Once a righteous scholar, Faust allows himself to be corrupted by the devil, and drags the innocent around him into desperation and death. It’s a fable that defies definition – both a tragedy and dark comedy, with a central character both wise and despicable, and a play and epic poem in one.
-
17:17 Mozart - Symphony No. 34, KV. 338Maestro Iván Fischer leads the Orchestra del Maggio Musicale Fiorentino in a remarkable concert program of works by Wolfgang Amadeus Mozart and Antonín Dvořák. Mozart’s Symphony No. 34 in C major, K. 338 opens the program. Completed in the summer of 1780, this was the last symphony Mozart wrote in Salzburg, where he worked as a court musician. The three-movement symphony features two vibrant outer movements with fanfares and rousing themes, while the quieter second movement is scored for strings alone, deviating from the typical four-movement structure of the time. Next on the program is Dvořák’s Symphony No. 7 in D minor, Op. 70, completed in March 1885 and premiered one month later in London conducted by the composer himself. With its dramatic and dark style, this symphony stands in stark contrast to the predominantly optimistic tone of Dvořák’s broader oeuvre. This performance was recorded at Teatro del Maggio Musicale Fiorentino in Florence, Italy, on January 29, 2021.
-
17:40 Delibes – CoppeliaA classic French ballet, Coppélia was choreographed in 1870 at the Opera de Paris, drawing inspiration from the evolution of society and the choreographer’s imagination. Featuring 40 dancers, the action takes place in the America of Fred Astaire, Gene Kelly, and Jérôme Robbins and echoes the style and spirit of Broadway musicals and Hollywood fantasies. This modern and fast-paced version was performed by Ballet de l'Opéra national de Bordeaux at the Teatro La Fenice in Venice in 2010.
-
19:13 Villa-Lobos - String Quartet No. 13Quarteto Radamés Gnattali performs Heitor Villa-Lobos's String Quartet No. 6 at the Palácio do Catete in Rio de Janiero, Brasil. The ensemble was founded in 2006 and consists of Carla Rincón and Francisco Roa (violins), Fernando Thebaldi (viola), and Hugo Pilger (cello). The quartet, which specializes in Brazilian music, focuses on educational activities. Their recording of all of Villa-Lobos string quartets is a major achievement and was very well received by international music critics. Except for his Bachianas brasileiras, the performance of many of the Brazilian's compositions is limited to Latin America. Highly regarded as a composer, conductor and educator in his native country, Villa-Lobos has operas, symphonies, concertos, piano repertoire, choral music, and seventeen string quartets to his credit.
-
19:44 Beethoven Violin Concerto & Bizet Symphony in CYoung Venezuelan conductor Glass Marcano is a rising star. Having played in various local youth and symphony orchestras as a violinist, her first experience conducting an ensemble followed in 2012. In September 2020, she won the Orchestra Prize at La Maestra Competition – the first orchestra direction contest for women – held in Paris. In this concert, recorded at Opéra de Tours in February 2021, Marcano leads the Orchestre Symphonique Région Centre-Val de Loire/Tours in performances of two Romantic masterpieces. The program opens with Ludwig van Beethoven’s Violin Concerto in D major, Op. 61, featuring Stéphanie-Marie Degand as the soloist. This piece is one of the most important works in its genre. The program concludes with Georges Bizet’s 1855 Symphony in C major, written when the composer was only 17 years old.
-
21:09 Modena - The Belcanto SchoolThis documentary by Mark Perna shows the training and professional growth actions for opera singers, the promotion and enhancement of the cultural offer of the city and province of Modena and the maintenance and development of the Modenese musical tradition in the field of opera.
-
21:34 Franz Liszt Competition 2017 - Solo FinalsAlexander Ullman (1991, United Kingdom) performs Liszt’s Études d'exécution transcendante, No. 11 Harmonies du soir (S139/11), Nuages gris (S199), Bagatelle sans tonalité (S216a) and Grandes Études de Paganini No. 6, Quasi presto, (S141/6) during the Solo Finals of the 11th International Franz Liszt Piano Competition, held in TivoliVredenburg, Utrecht, in 2017. The competition actively presents, develops, and promotes piano talents from around the world. In doing so, it has become one of the prominent gateways to the international professional classical music scene for young musicians. The International Franz Liszt Piano Competition was founded in 1986 in the Netherlands and has since built a reputation as one of the world’s most prestigious piano competitions.
-
22:00 A Mozart Celebration from BerlinPerformed in the grandeur of Berlin's foremost opera house, the Staatsoper Unter den Linden, the Mozart Celebration is dedicated to the life's work of Wolfgang Amadeus Mozart. This one-time-only gala concert features exuberant Mozart pieces, performed by some of the world’s leading singers and musicians. Conductor Julien Salemkour leads these beautiful performances played by the Staatskapelle Berlin. The star solists are Nicolaj Znaider (violin), Thomas Quasthoff (baritone) and Sylvia Schwartz (soprano). The program features Ouverture from la Clemenza di Tito, 'Violin Concerto No. 5', the song 'Chi sa, chi sa, qual sia', Piano Concerto No. 23, the aria 'Per questa bella mano', Papageno's Aria from the Magic Flute, the duet 'Papageno-Papagena' from The Magic Flute, and Symphony No. 40.
-
23:32 Ravel - Piano Concerto in G majorMikhail Pletnev leads the Russian National Orchestra in a performance of Maurice Ravel's Piano Concerto in G major, featuring Lucas Debargue as the soloist. The composer completed this lively three-movement Piano Concerto in 1931. He incorporated several jazz elements in the work, especially in the two outer movements. This performance was recorded at Tchaikovsky Concert Hall in Moscow, Russia, in 2017, as part of the Ninth RNO Grand Festival.
-
23:57 Brahms - Violin Sonata No. 2, Op. 100In this splendid 2013 concert from the Church of Verbier, Switzerland, Greek violinist Leonidas Kavakos and Chinese pianist Yuja Wang join forces to interpret three sonatas by Johannes Brahms. Leonidas Kavakos rose to fame in 1985, when he became the youngest musician to ever win the first price of the prestigious Sibelius Competition. With Yuja Wang, an accomplished artist at young age herself, he forms a masterful duo of chamber music interpretation. The programme features Brahm's Sonata for Piano and Violin, No. 1 in G major, Op. 78, also known as the "Regensonate," Sonata for Piano and Violin, No. 2 in A major, Op. 100, the "Thuner Sonata," a portrait of the Swiss lake of Thun's peaceful scenery. It comes to a fiery and passionate finale with Brahm's Sonata for Piano and Violin, No. 3 in D minor, Op 108.
-
00:27 Classica SpotlightCinematic classical clips and energizing concert pieces featuring up-and-coming artists.
-
01:00 Franck - StradellaOn September 19, 2012, Liège, the economic and cultural centre of Wallonia, reopened its Opera house, anchoring one of Europe's most important Operas in modernity. The season opens with Stradella, the uncompleted work of the youth of the composer César Franck, who was born and raised in Liège, the 1842 manuscript of which was found in the National Library of France in 1984. The world's first production is therefore performed at the Royal Opera House of Wallonia, orchestrated by Luc Van Hove and directed by the film maker Jaco Van Dormael. The opera tells the story of the Duke of Pesaro. He has ordered his lieutenant Spadoni to abduct the beautiful maiden Leonor in the middle of the Carnival in Venice. Having locked her away in his mansion, the Duke tries to win her love by employing the famous singer Stradella to woo her, unaware that Stradella and Leonor are actually an item. Music by César Franck, Libretto by Emile Deschamps and Emilien Pacini.
-
02:58 Europakonzert 1996: Saint PetersburgThe beautiful Mariinsky Theatre in St. Petersburg formed the background for the 1996 edition of the annual Europakonzert of the Berliner Philharmoniker. In honour of the Russian hosts, the concert opened with highlights from Prokofiev's 'Romeo and Juliet', followed by the Cavatina from Rachmaninoff's opera 'Aleko'. After the intermission, Kolja Blacher featured in the two 'Violin Romances' by Beethoven, followed by a performance of his 'Seventh Symphony'. The orchestra is led by maestro Claudio Abbado.
-
04:29 Heitor Villa-Lobos Music for Cello and Piano - IVIn this six-part documentary on the life and work of Brazilian composer Heitor Villa-Lobos, director Liloye Boubli takes viewers on a journey through the life and work of this legend of Brazilian classical music. The composer, conductor, cellist, and classical guitarist was born in Rio de Janeiro, Brazil, in 1887. Growing up during a time of immense social change in Brazil – with the abolishment of slavery in 1888, this was a time of social revolution and far-reaching modernizations – Villa-Lobos went on to become one of South America's best-known composers of all time. This fourth episode dives deeper into the composer's "Bachianas brasileiras", particularly the "Ária (Cantilena)" from Bachianas Brasileiras No. 5, which is one of Villa-Lobos's most renowned pieces.
-
04:54 Shostakovich - Violin Concerto No. 1, Op. 77In May 2019, the new principal conductor of the Gewandhaus, Andris Nelsons, presented Tchaikovsky’s Symphony No. 5 with his orchestra in combination with Shostakovich’s Violin Concerto No. 1 with outstanding violinist Baiba Skride as the soloist. In this composition, the violin does not allow itself a break, continually tells its dark story and gets into a vicious circle of ostinato Passacaglia bass lines again and again falls into beguilingly beautiful singing. Tchaikovsky initially thought his 'Symphony of Fate' was a failure and believed himself to be at the end of his creative powers. It was probably the composer's nature, plagued by self-doubt, that made it almost impossible for him to develop a self-confident attitude to his own creative power. Between this two works, Skride performs Stravinsky's Elegy for Solo Violin.
-
05:38 CMIM Voice 2022 – Semi-final: Valerie EickhoffMezzo-soprano Valerie Eickhoff (Germany, 1996) performs ‘Crude furie degli orridi abissi’ from George Frideric Handel’s opera Serse; ‘Assisi a pie d’un salice’ from Gioachino Rossini’s opera Otello; and ‘Nobles seigneurs, salut!’ from Giacomo Meyerbeer’s opera Les Huguenots, during the semi-finals of the Aria division of the Concours musical international de Montréal 2022 (CMIM). She is accompanied by the Montreal Symphony Orchestra under the baton of Jacques Lacombe. This performance was recorded at the Montreal Symphony House.
-
05:58 Schubert - Four Impromptus, Op. 90Roberto Prosseda (1975) performs Mozart's Piano Sonata No. 5 (KV. 283) and four Impromptus Op. 90 by Franz Schubert. The performance ends with Chopin's technically demanding Ballade No. 4, Op. 52. Prosseda is particularly noted for his performances of newly discovered works by Mendelssohn and has recorded a nine-CD series for Decca of the piano works of Mendelssohn. Since 2012, Prosseda also gives lecture-concerts with the robot pianist TeoTronico, as educational or family concerts, to demonstrate differences between a literal production of music and human interpretation.
-
06:27 Classica SpotlightCinematic classical clips and energizing concert pieces featuring up-and-coming artists.
joi, 17 iulie
-
07:00 Mozart - Symphony No. 41, K. 551Jeffrey Tate conducts the English Chamber Orchestra in a performance of Mozart’s “Jupiter” Symphony No. 41 (K. 551). This symphony is the last of a set of three that Mozart composed in rapid succession during the summer of 1788. The symphony is known for its humour, exuberant energy and grand scale for a symphony of this period, hence its nickname “Jupiter”. Generally, Mozart composed from commissions, but scholars have found no indication of this for the 41st Symphony. It could well be Mozart composed the work in the hopes of selling them or presenting them in a concert in Vienna. Directed by János Darvos.
-
07:38 Schubert - Symphony No. 8 in B minor, D. 759Les Dissonances is a collective of artists founded by violinist David Grimal in 2004. The conductorless ensemble consists of musicians from the most prestigious European orchestras, international soloists, and young talents. In this performance Les Dissonances perform Franz Schubert’s Symphony No. 8 in B minor, D. 759, also known as the ‘Unfinished Symphony’. Schubert started composing the work in 1822, but only completed the first two movements. The first movement, Allegro moderato, has a dark, mysterious mood, which contrasts with the beautiful second movement in E major, Andante con moto. Schubert only penned a couple of measures of the third movement, a Scherzo, in full score. It is not known why the composer never finished his symphony. Although it is not complete, it has become one of Schubert’s most popular compositions. This performance was recorded at Cité de la musique in Paris, France, in 2013.
-
08:02 Handel - Messiah, HWV 56The Messiah (HWV 56) by Georg Frederich Handel, also known as “A New Sacred Oratorio”, tells the life and suffering of Christ: a story of passion, fire, and sacrifice. This is one of Handel's best-known works, which took only three weeks to compose this oratorio and its famous "Hallelujah". The work has immense popularity since its premiere in Dublin in 1742, and is often presented at Easter. This performance of the Dutch ensemble Ribattuta Musica under the direction of conductor Dick Duijst was filmed in the grand church of the city of Ermelo, the Netherlands, in 2016. The soloists are Elvire Beekhuizen (soprano), Rosina Fabius (viola), Oscar Verhaar (counter-tenor) Satriya Krisna (tenor), and Hans Voschezang (bass). Ribattuta Musica is a professional ensemble that delivers authentic performances based on current musical practices at the time of the composers.
-
09:29 CMIM Voice 2022 - Final: Hugo LaporteBaritone Hugo Laporte (Canada) performs ‘Alzati … Eri tu che macchiavi quell’anima’ from Giuseppe Verdi’s opera Un ballo in maschera; ‘Vy tak pechalny … Ya vas lyublyu’ from Pyotr Ilyich Tchaikovsky’s opera Pique Dame; and ‘Largo al factotum’ from Gioachino Rossini’s opera Il barbiere di Siviglia, during the final round of the Aria division of the Concours musical international de Montréal 2022 (CMIM). He is accompanied by the Montreal Symphony Orchestra under the baton of Jacques Lacombe. This performance was recorded at Montreal Symphony House.
-
09:49 Discovering Masterpieces – Symphonie FantastiqueWatch the series ‘Discovering Masterpieces’, your audio-visual concert guide to the great masterpieces of classical music. The series brings you 20 half-hour documentaries on 20 classical masterpieces: acclaimed experts, famous soloists and outstanding conductors take you on a journey back to the time and place of composition. In today’s documentary, Hector Berlioz’ ‘Symphonie Fantastique’. This ‘Fantastic Symphony’ is widely regarded as one of the most important and representative pieces of the early Romantic period. Leonard Bernstein once called it “the first musical expedition into psychedelia” because of its hallucinatory and dream-like nature. The German musicologist Wulf Konold describes the idea behind and the realization of this fascinating work.
-
10:18 Beethoven - Piano Sonata No. 11, Op. 22Can we get into Beethoven’s creative mind, especially in the last phase of his life, when he was coping with severe hearing loss? Tom Beghin’s new recording of Beethoven’s Piano Sonatas Opus 109, 110, and 111 is an artistic exploration of how Beethoven’s musicking was shaped by the work environment he created with the help of colleagues and friends. Not only does pianist Tom Beghin perform Beethoven’s trilogy of pianistic masterpieces on a magnificent new replica of Beethoven’s Broadwood piano, he uses a reconstruction of the Gehörmaschine that was mounted on the composer’s piano so he could continue to create music as his hearing declined. ‘You do hear better when you bring your head under this machine, don’t you?’ André Stein asked Beethoven. Two centuries later, we too can bring our heads under the machine and wonder: Do we hear Beethoven differently? Beghin draws us inside the hearing machine, where we feel as well as hear the essence of Beethoven’s rambunctious and irresistibly poetic musical vibrations. Inside the Hearing Machine invites us into the multisensory playground of a deaf composer for whom the machine was more than a hearing aid and who interacted with his instrument through much more than sound.
-
10:37 Classica SpotlightCinematic classical clips and energizing concert pieces featuring up-and-coming artists.
-
11:03 In Rehearsal: Esa-Pekka SalonenThe Finnish composer and conductor Esa-Pekka Salonen (1958) was Music Director of the Los Angeles Philharmonic from 1992 until 2009. Under his dynamic leadership, it was recognized as one of the world's most outstanding orchestras. The exciting musical partnership Salonen established with his musicians was widely acclaimed in the international press. The conductor's lucidity, efficiency, and lack of pretension, promoted a relaxed collaboration between himself and the orchestra, which is particularly evident in the rehearsal process. This ‘In Rehearsal’ episode features Salonen rehearsing Claude Debussy's Impressionistic orchestral piece La Mer with the Los Angeles Philharmonic at the Dorothy Chandler Pavilion of the Music Center of Los Angeles County. It gives a fascinating insight into Salonen’s rapport with his musicians and also into Debussy’s masterpiece.
-
11:59 Piano works by Rachmaninoff, Beethoven & GlazunovRussian pianist Nikolay Lugansky has received world-wide praise for his interpretations of the music of Sergei Rachmaninoff. In this wonderful recital, the great pianist presents works by the Russian Romantic composer as well as Ludwig van Beethoven and Alexander Glazunov. Lugansky opens his concert with Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, ‘Moonlight’, followed by Alexander Glazunov’s Piano Sonata No. 2 in E minor, Op. 75. Then Lugansky performs a selection of works by Rachmaninoff: Rachmaninoff’s piano transcription of J. S. Bach’s Partita No. 3 in E major; a selection of Études-Tableaux (Nos. 1, 2, 4, and 8, Op, 33, and Nos. 5 and 6, Op. 39); Lilac (Op. 21, No. 5); Prelude in C minor, Op. 23 No. 7; and Rachmaninoff’s transcription of Pyotr Ilyich Tchaikovsky’s Lullaby (Op. 16 No. 1). This performance was recorded at the Tchaikovsky Concert Hall in Moscow, Russia, on June 4, 2021.
-
13:29 Brahms - Symphony No. 1, Op. 68Franz Welser-Möst conducts The Cleveland Orchestra in this performance of Brahms' Symphony No. 3. A late-romantic treasure, this work demonstrates the evolution of the composer's modest symphonic output, balancing the brightness of his Second Symphony with the monumentality of his Fourth Symphony. Strangely enough, even though the Third reaches several glorious outpourings of massed winds and strings, the work ends in pianissimo, leaving the listener taken aback, reflective rather than jubilant. This performance was recorded at the Vienna Musikverein, Austria, in 2014.
-
14:03 Schumann - Piano Quintet in E-flat major, Op. 44On the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored chamber music repertoire in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Iddo Bar-Shaï, and Arielle Beck; violinists Gidon Kremer, Maxim Vengerov, and Tedi Papavrami; cellist Mischa Maisky, Flugelhorn player Sergei Nakariakov, as well as her daughter and grandson: Lyda Chen-Argerich (piano and viola) and David Chen-Argerich (piano). On the program are Alfred Schnittke’s Congratulatory rondo for piano and violin; Preludes No. 5, 21, and 24 from Mieczysław Weinberg’s 24 Preludes, Op. 100 (arranged for solo violin by G. Kremer); ‘Waltz’ and ‘Slava’ from Sergei Rachmaninoff’s 6 Morceaux, Op. 11, and Romance for six hands; Fritz Kreisler’s Liebesleid; Robert Schumann’s Fantasiestücke Op. 73, and Piano Quintet in E-flat major, Op. 44; and ‘Laideronnette, impératrice des Pagodes’ from Maurice Ravel’s Ma mère l'Oye. This performance was recorded on June 11, 2021.
-
14:34 PIAM - Semi-final I: Chopin and ScriabinAcclaimed classical music talent scout Antonio Mormone (1930-2017) lives on as the name-giver of the Premio Internazionale Antonio Mormone (PIAM), awarded to the winner of the Italian music competition of the same name. The first edition of this competition, which was held in various venues in Milan from 2019 to 2021, was dedicated to the piano. As part of this competition, Micah McLaurin (USA, 1994) performs Frédéric Chopin’s Nocturne Op. 27 No. 2, and Barcarolle, Op. 60; and a selection of Alexander Scriabin’s Etudes: Op. 42 No. 5, and Op. 8 Nos. 11 and 12. This performance was recorded at Teatro EDI Barrio’s in Milan, in January 2020.
-
15:02 Josquin - Missa fortuna desperataLong before upcycling became a trend, there was Josquin Desprez. To this day his inventiveness in processing existing musical material remains unparalleled. The Catalan bass-baritone Josep Cabré and his Companyia Musical focus on a fine example of what Josquin was capable of: the Missa Fortuna desperata, in which the three voices of an Italian song are deployed both separately and combined – a technical tour de force that also happens to sound splendid.
-
16:01 Homage to Yehudi MenuhinOn 22 April 2016, Yehudi Menuhin would have celebrated his 100th birthday. One of his most famous students - and one of his best friends - is violinist Daniel Hope. For him, Yehudi Menuhin was the reason he become a violinist. At first, his mother became the secretary of Menuhin when Daniel Hoe and his parents moved to London. Hope grew up in Menuhin's house and learned not only to love music, but also to make the violin a part of his life. Playing the violin every day is like walking every day, or drinking and eating. He played with Menuhin some of Bartok's Duos which was, according to Hope, an introduction to Bartok’s extraordinary music. A piece of Bartok had to be part of this program as well as Ravel's Kaddish, the encore Daniel Hope choose when Menuhin conducted his last concert in Düsseldorf. But this concert starts with Elgar's Violin Concerto. Hope plays with the Konzerthausorchester Berlin under the baton of Iván Fischer.
-
17:42 Brahms - Symphony No. 1, Op. 68For over two decades, the Berlin Philharmonic has celebrated its creation on May 1 with the annual Europakonzert, which in 2010 was held in Oxford. Led by Daniel Barenboim, the orchestra performed a program including Johannes Brahms’ Symphony No. 1.
-
18:31 Gershwin - Greatest HitsBelgian conductor Jos van Immerseel leads Anima Eterna Brugge in a concert program dedicated to American composer George Gershwin. The program opens with Gershwin’s symphonic suite Catfish Row (arr. Steven D. Bowen) which is based upon music from his famous opera Porgy and Bess (1935). This is followed by the well-known tone poem An American in Paris (1928). After, soprano Claron McFadden joins the orchestra, presenting a selection of Gershwin’s classic jazz songs, including ‘The man I love’ (1924-27), ‘I got rhythm’ (1930), and ‘By Strauss’ (1936). She also performs ‘My man’s gone now’ and ‘Summertime’ from Porgy and Bess. The concert ends with Gershwin’s celebrated Rhapsody in Blue, with Bart Van Caenegem as featured pianist. This performance was recorded at Concertgebouw Brugge, Belgium, on March 3, 2017.
-
20:07 Shostakovich - Concertino for two pianosOn the occasion of her 80th birthday, Argentinian pianist Martha Argerich explored repertoire for piano and violin in this wonderful concert, recorded at Château de Chantilly, France. The ‘Grande Dame’ of the piano is joined by various renowned artists, including pianists Evgeny Kissin, Theodosia Ntokou, and Cristina Marton-Argerich, and violinist Maxim Vengerov. On the program are Dmitri Shostakovich’s Concertino for two pianos, Op. 94; Frédéric Chopin’s Impromptu No. 3, Op. 51, Polonaise No. 6, Op. 53 “Heroic”, and Waltz No. 6, Op. 64 No. 1; Camille Saint-Saëns’s Polonaise for two pianos, Op. 77; César Franck’s Sonata for violin and piano in A major; and Fritz Kreisler’s Liebesleid and Schön Rosmarin. This performance was recorded on June 12, 2021.
-
20:18 The Pianists KeysThis documentary by Christoph Keller follows various participants and teachers participating in the International Summer Piano Academy.
-
21:00 Glass - Double Concerto for Two PianosAs part of a new collaboration with the famous composer of "music with repetitive structures" Philip Glass, French pianists Katia and Marielle Labèque perform the European premiere of Glass's Concerto for two pianos with the Orchester de Paris conducted by Jaap van Zweden, current music director of the New York Philharmonic.
-
21:27 Classica SpotlightCinematic classical clips and energizing concert pieces featuring up-and-coming artists.
-
22:00 GiselleChoreographed by Charles Jude, the ballet Giselle by Jean Coralli and Jules Perrot, with music by Adolphe Adam, tells the story of a lovely peasant girl by the same name. Giselle was first presented at Théâtre de l'Académie Royale de Musique in Salle Le Peletier in Paris on June 28, 1841. The story is set in the Rhineland of the Middle Ages during the grape harvest. Giselle falls in love with Albrecht, the Duke of Silesia. Hilarion, a gamekeeper, is also in love with Giselle and warns the girl against trusting a stranger, but she refuses to listen. Albrecht and Giselle dance a love duet, with Giselle picking the petals from a daisy to divine her lover's sincerity. When Giselle discovers Albrecht is going to marry Bathilde, she dies of a broken heart. Performed at the Opéra national de Bordeaux in 2011, this ballet features dancers Oxana Kucheruk (Giselle) and Igor Yebra (Albrecht).
-
23:44 Tchaikovsky - Symphony No. 1 in G minor, Op. 13Conrad van Alphen leads Sinfonia Rotterdam in a performance of Pyotr Ilyich Tchaikovsky’s Symphony No. 1 in G minor, Op. 13, ‘Winter Daydreams’, recorded at De Doelen in Rotterdam, the Netherlands in September 2022. Having completed a number of shorter orchestral works, Tchaikovsky embarked on a more ambitious project in March 1866: to write his first symphony. In the summer of that year, the young composer showed his still-unfinished score to his former teachers Anton Rubinstein and Nikolai Zaremba, whose harsh criticism thoroughly disillusioned him. With significant changes, the entire symphony was first performed in 1868, but Tchaikovsky further revised the work in 1874. Not only did the composer subtitle his symphony ‘Winter Daydreams’, he used descriptive titles for the first two of the four movements as well: ‘Dreams of a Winter Journey’ and ‘Land of Desolation, Land of Mists’.
-
00:33 Villa-Lobos - String Quartet No. 11Quarteto Radamés Gnattali performs Heitor Villa-Lobos's String Quartet No. 4 at the Palácio do Catete in Rio de Janiero, Brasil. The ensemble was founded in 2006 and consists of Carla Rincón and Francisco Roa (violins), Fernando Thebaldi (viola), and Hugo Pilger (cello). The quartet, which specializes in Brazilian music, focuses on educational activities. Their recording of all of Villa-Lobos string quartets is a major achievement and was very well received by international music critics. Except for his Bachianas brasileiras, the performance of many of the Brazilian's compositions is limited to Latin America. Highly regarded as a composer, conductor and educator in his native country, Villa-Lobos has operas, symphonies, concertos, piano repertoire, choral music, and seventeen string quartets to his credit.
-
01:00 Bizet - CarmenThe wild and breathtaking scenery of Austria's Roman Quarry of St. Margarethen provides an ideal and unique backdrop for this live and colourful open-air performance of Georges Bizet's opera Carmen (1875). With over 400 participants, this opulent staging of Bizet's famous opera - one of the most popular works in the genre's history - proves a feast for all the senses. Austria's Opera Festival St. Margarethen, one of Europe's most important open-air festivals, is attended by about 220, 000 opera lovers every year. The Brno National Theatre Orchestra & Chorus is led by conductor Ernst Märzendorfer. Soloists are Nadia Krasteva, Russi Nikov and Alexandr Antonenko.
-
03:41 Israel Philharmonic Orchestra: 60th AnniversaryIn 1996, the Israel Philharmonic Orchestra celebrated its 60th anniversary with a gala led by maestros Zubin Mehta and Daniel Barenboim. This musical event features world-renowned soloists, including veteran violinist Isaac Stern, up-and-coming musicians Maxim Vengerov and Gil Shaham, as well as Pinchas Zukerman, Shlomo Mintz, and Itzhak Perlman. The evening begins with a moving speech about the early days of the orchestra. The evening's program continues with Bach's Concerto for Two Violins in D minor, BWV1043, Brahms's Symphony No. 2, Halvorsen's Violin, Violoncello and Viola Pass, Mozart's Serenade No. 6, K. 239., Vivaldi's Concerto in B minor for four violins and orchestra, and Weber's Oberon overture.
-
05:35 Discovering Masterpieces - Brandenburg ConcertosThis episode presents the Brandenburg Concertos by Johann Sebastian Bach (1685-1750). Musical excerpts played by the Freiburger Barockorchester conducted by Gottfried von der Goltz. Bach's six Brandenburg Concertos rank among the undisputed favorites of all baroque fans. They have become a firm fixture in music education and an integral part of our international musical heritage. So what's their secret? The internationally acclaimed pianist and Bach expert Robert Levin provides an answer.
-
06:05 Tchaikovsky - Overture-Fantasy Romeo and JulietConrad van Alphen conducts Sinfonia Rotterdam in a performance of Pyotr Ilyich Tchaikovsky’s Overture-Fantasy “Romeo and Juliet”. Van Alphen founded Sinfonia Rotterdam in 2000. Under his passionate leadership, this orchestra has developed into one of the Netherland’s best-known orchestras. Tchaikovsky based his composition on Shakespeare’s famous play “Romeo and Juliet”. After finishing a first version of Romeo and Juliet in 1870, Tchaikovsky rewrote sections of the composition twice, completing the third and final version ten years later. The Overture-Fantasy opens with a slow introduction, primarily led by the clarinets and bassoons. The composition is dominated by its famous love theme, representing the love between Romeo and Juliet. This beautiful theme is introduced in the first half of the piece, played by the English horn and violas, and recurs in different sections of the composition. At the end, the love theme is heard in minor mode, which emphasized the tragic element of the story of the two lovers.
-
06:27 CMIM Voice 2022 – Semi-final: Simone McIntoshMezzo-soprano Simone McIntosh (Canada, 1991) performs ‘Sein wir wieder gut’ from Richard Strauss’s opera Ariadne auf Naxos; ‘Vani solo i lamenti … Svegliatevi nel core’ from George Frideric Handel’s opera Giulio Cesare; and ‘Naqui’all affanno … Non più mesta’ from Gioachino Rossini’s opera La Cenerentola, during the final round of the Aria division of the Concours musical international de Montréal 2022 (CMIM). She is accompanied by the Montreal Symphony Orchestra under the baton of Jacques Lacombe. This performance was recorded at Montreal Symphony House.
-
06:45 Beethoven - Piano Sonata No. 21 - IIIJulijana Sarac performs the first/third movement of Ludwig van Beethoven’s Piano Sonata No. 21 (“Waldstein”). The work was completed in 1804 and is considered one of Beethoven's greatest and most technically challenging piano sonatas.
Cele mai populare