Program Stingray Djazz

American trumpet player and occasional singer Chet Baker (1929-1988) was one of the most popular exponents of bebop and cool jazz. At the age of 10, Baker was introduced to music in a school orchestra, after which he discovered bebop in the army in 1946. After serving six months in prison in 1953 for drug possession, Baker formed his own quartet with West Coast jazz great, pianist Russ Freeman. His lifelong drug addiction forced him to concertize and record incessantly. Always popular in Europe, Chet Baker (trumpet, vocals) joined Jacques Pelzer (alto saxophone, flute), Luigi Trussardi (bass), Franco Manzecchi (drums), and René Urtreger (piano) for a set in Brussels, Belgium, on May 2, 1964. They performed Bye Bye Blackbird, Isn't It Romantic, Airegin, Time After Time and So What. On September 3, 1979, Baker appeared at the Kongsberg Jazz Festival in Norway. He was joined by Wolfgang Lackerschmid (vibraphone), Michel Graillier (piano), and Jean Louis Rassenfosse (bass) for performances of Blue Train, Softly, As In A Morning Sunrise, Five Years Ago, and Love For Sale.

Hailing from a long tradition of Malian kora players, Ballake Sissoko has worked with renowned musicians such as Toumani Diabaté and Taj Mahal. He met the French born Vincent Ségal by chance, and the two began jamming together, uncertain of what kind of music might result. As a former member of the French National Orchestra, Ségal's Western classical training does not prevent him from exploring a wide variety of extended techniques, rendering his cello a flexible partner to Sissoko's kora. A childhood spent in the Pigalle district of Paris surrounded by immigrant communities exposed Ségal to African music from an early age. As such, he possesses a natural sensitivity to Sissoko's West-African style. The concert shows a brilliant interplay between the two musicians and combines the several worlds of jazz, Malian and classical music.

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, French pianist Amaury Faye performed with his trio at Jazz à Vienne. With Louis Navarro on bass and Théo Lanau on drums – the same line-up that appeared on his award-winning debut ‘Clearway’ – Faye demonstrates why he is considered a rising star.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

Rising star of the jazz guitar Scott DuBois leads his quartet, consisting of Gebhard Ullmann (reeds), Thomas Morgan (bass), and Kresten Osgood (drums), in an intimate and atmospheric performance at Munich’s Jazz Club Unterfahrt in March 2016. The group’s telepathy is such that they are able to go from deathly quiet to fiercely avant-garde at the drop of a hat. For this occasion, DuBois and his group gave a full performance of his "Winter Light" album, released a few months earlier, plus his 'Lake Shore Suite'.

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by the multi-ethnic ensemble Hijaz. This band explores the dialogue between piano and the oud, a pear-shaped stringed instrument from the East. Hijaz is a close-knit quartet that explores the differences and similarities between Mediterranean cultures in order to create moments of harmony, warmth, and great musical beauty.

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, French pianist Laurent de Wilde performed his tribute to jazz icon Thelonious Monk at Jazz à Vienne. Alongside bassist Jérôme Regard and drummer Donald Kontomanou, De Wilde gives a respectful and engaging homage built upon 20 years of study.

Decades after the 1930s swing era came to an end, one of its giants, pianist Teddy Wilson (1912–1986), kept the flame of this music alive during countless international concert tours. During a hectic spring tour of Europe, the acclaimed pianist appeared at Geneva’s Théâtre de l’Atelier on March 21, 1969. Before Wilson’s concert, Swiss actor Jean Landier recorded an episode of Radio Télévision Suisse’s program ‘Variétés: Jasons Jazz’ with him. After a brief but insightful interview, Teddy Wilson performed ‘After You've Gone’ and ‘Body and Soul’, both with the local rhythm tandem of drummer Peter Giger and double bassist Isla Eckinger. This broadcast is a priceless document of masterful jazz piano in the best of taste.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

As part of the International Duke Ellington Conference 2014, we welcome the Concert Big Band of the Conservatory of Amsterdam for a special concert. Under the direction of David Berger, they will play Duke Ellington’s only written big band symphony, ‘Black, Brown and Beige’. It has been more than 70 years since Ellington’s “B, B & B” was played in its entirety during its premiere at Carnegie Hall (New York). Duke Ellington said the following about it: “We thought we wouldn’t play it in its entirety tonight because it represents an awfully long and important story and that I don’t think too many people are familiar with the story. This is the one we dedicate to the 700 Negroes who came from Haiti to save Savannah during the Revolutionary War.” Jazz composer, trumpeter, arranger and conductor David Berger is internationally recognized as the expert on Duke Ellington's music and music from the swing era. From 1988 to 1994, he worked for the Lincoln Center Jazz Orchestra where he transcribed more than 500 pieces by Ellington and Billy Strayhorn.

The veritable tombak virtuosos of Trio Chemirani, consisting of Chemirani Senior and Juniors, enrapture the Festival de Saintes. The tombak is a Persian percussion instrument, but its rhythms are universal. The Trio Chemirani’s music is accessible to all and will certainly resound with each listener. The members of the trio, Djamchid Chemirani (born in Teheran in 1942) and his two sons and pupils Keyvan and Bijan, are living in France. Their concert performances bring them all over the world, as they explore the endless potential of their Persian percussion instruments. The trio finds also inspiration in Mediterranean modal music and jazz. These three musicians, who might well be thought of as poets, are in search of a common language that connects several cultures.

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, Cuban pianist and vocalist Roberto Fonseca performed at Jazz à Vienne. Blending jazz, Afro-Cuban soul, hip-hop, and electro, Fonseca embraces both the past and future in this stimulating concert that will expose you to some exciting new sounds.

In 1968 traden het orkest van de Belgische pianist Francy Boland, de band van de Nederlandse trompettist Boy Edgar en de Amerikaanse band van trompettist Thad Jones en drummer Mel Lewis op tijdens het Newport Jazz Festival in Rotterdam.

American soul jazz singer and organist Jackie Davis (1920-1999) contributed greatly to the popularity of the Hammond B3 organ in jazz, preceding even the great Jimmy Smith. Seen here during an intimate solo performance in Brussels in 1967, we get to enjoy Davis’ every musical twist and lyrical turn. His infectious enthusiasm and dynamic musicianship make his audience grow increasingly excited as he performs “I Got Rhythm”, “Satin Doll”, “Yesterday”, “Smack Dab In The Middle”, and “It Ain’t Necessarily So”. Davis’ spellbinding vocals invite his audience on a musical journey. Get ready to let yourself be carried away by Jackie Davis, recorded live in Brussels!

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Berlin serves as a backdrop for sets by pianist Wolfert Brederode, guitarist Kurt Rosenwinkel, and Hyperactive Kid.

To celebrate the release of Django, the Parisian New Morning Club pays tribute to the legendary guitarist Django Reinhardt. The program showcases the magic of Reinhardt’s compositions, as well as the virtuosity of one of his most famous heirs: Stochelo Rosenberg. With unbridled passion and enthusiasm, Rosenberg interprets the music that marked French musical heritage: gypsy jazz. Rosenberg cultivates an exceptional technique with a unique vibrato and sets an example for guitarists and other instrumentalists who aim to keep music alive. On stage at New Morning Club, Rosenberg is supported by Hono Winterstein (guitar), Mathias Levy (violin), Rocky Gresset (guitar), and Xavier Nikqi (double bass).

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. John Carl Hendricks is one of the instigators of "vocalese", an art form that aims to add lyrics to existing instrumental pieces and replace several instruments with singing. He flaunts this technique at Estival, where he "scat" while playing double bass. Hendricks is known for his mastery of scat, a form of vocal jazz that uses onomatopoeia rather than lyrics

Legendary free jazz pianist Burton Greene rose to fame in New York City's free jazz scene of the 1960s. Exploring various spontaneous improvisational styles, Greene performs live at Cafe OTO in London, UK.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents a compilation with music of Betty Carter, Anita O'Day & Sathima Bea Benjamin.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Forq is an instrumental quartet with an aggressive sound and a penchant for sonic exploration. Originally founded by keyboardist Henry Hey (David Bowie, Empire of the Sun, and Jeff "Tain" Watts) and bassist Michael League (Grammy-winning founder of Snarky Puppy), Forq is joined by guitarist Chris McQueen and drummer Jason "JT" Thomas. Their group sound draws from various musical paths of its members, whether it’s Jason’s swampy grooves and shuffles, Chris’ singular sonic approach to guitar, Henry’s zeal for unique keyboard sounds and twisted ear candy, or Michael’s driving world-influenced grooves. The band pushes further down the sonic rabbit hole with their stunning music. This concert was filmed during Mondriaan Jazz Festival 2017, The Hague.

For the 40th anniversary of jazz legend Miles Davis' legendary album Bitches Brew, trumpeter Wallace Roney leads a band that revives the master's music. This project is the brainchild of Miles' family (including his son Erin), which is represented by his nephew, drummer Vince Wilburn. This concert at the ancient theater in Vienne, France, is a grand tribute to Miles.