Program Stingray Djazz

The November Music festival in ‘s-Hertogenbosch, the Netherlands is the ultimate event for experiencing a broad range of music. It features a wonderful variety of contemporary and experimental pop, sound art, non-Western music, jazz and free improvisation. The closing concert for the 2016 edition offers a great example of this musical wealth - Dutch composer and pianist Rembrandt Frerichs’ fantastic trio play a wonderful set with Cello8ctet Amsterdam and renowned Iranian tar player Hossein Alizâdeh. Rembrandt Frerichs studied in New York and lived in Cairo for several years. His music has the drive of American jazz, the lyricism of Middle-Eastern music, and the sensitivity of the chamber music of Claude Debussy and Maurice Ravel. The combination of Frerichs’ trio with Cello8ctet and Alizâdeh is unique. Their music is a miracle of organic creativity, and a shining fusion of old and new world music.

Dino Saluzzi, one of Argentina's tango music masters, has been building his legacy since the mid-1980s. His accordion-like bandoneon defines Argentina's tango music. Saluzzi has explored many paths—paths along which he has rarely travelled more than once, despite some common threads. This rare, vibrant and intense performance is an intimate collaboration with Charlie Mariano (saxophone) and Wolfgang Dauner (piano) and features music ranging from tango and classical music to international favorites.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

In this recording, the Portuguese singer Maria João makes her appearance at the Bayerischer Hof Night Club during the 1999 Münchner Klaviersommer. She is accompanied by Marcio Doctor (percussion), Miroslav Tadic (guitar), and her long-standing partner, the brilliant pianist Mário Laginha. Maria is known for her vocal flexibility and improvisational skills. While normally considered a jazz artist, her music incorporates a mix of folk, ethnic music, modern jazz, avant-garde, electronica, symphonic and other genres. In this intimate venue, João's vocally and physically dynamic performance creates an electrifying atmosphere.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch saxophone player Rolf Delfos.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. “Viva” is a perfect mixture of various instruments and musicians from all over the world. Vocalists Aynur and Dima Oshno perform with the All Star Band. Aynur sings about the life and sufferings of Kurdish people, in particular Kurdish women. Musically, she tries to blend Kurdish and Western music, creating her own style and interpreting the traditional repertoire in a modern and fresh way.

Dionne Warwick’s vocal artistry ranges from voluminous deep register to soft, fragile high notes. She masters the entire range with almost unnerving ease. But more than her strong, warm voice, Dionne’s magic is in the silky elegance and the secure delivery with which she tells a story. That’s how her, along with composer Burt Bacharach and lyricist Hal David become pioneers of the brand of pop music called “Middle of the Road”, meaning pop that is grippingly simple, but never trite. Sixty of her hits made it into the American charts and sold over 100 million albums worldwide. This amazing 1964 recording from the 27 Club in Knokke, Belgium showcases the 23-year-old star vocalist at the start of her career.

You can’t help but be carried away by the powerful voice Marion Williams, who, with backing from Tommy Brown (piano), Joe Washington (organ), Billy Tuliver (drums), and singers Barbara White and Ann Bolden, sings gospel songs and spirituals as if she has lived them a thousand times over. The repertoire includes such familiar tunes as “Peace in the Valley,” “We Shall Overcome,” and “Michael, Row the Boat Ashore.”

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its participating bands, Invisible World, is based at the jazz crossroads where East European and Mediterranean influences merge and caper off in new directions. Led by Czech bassist Tomáš Liška, a prolific idea man of many projects, joined by Turkish violinist Efe Turumtay, Serbian accordionist Nikola Zarić and Moravian drummer Kamil Slezák.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

Montreal's very own jazz group SHPIK offers a bold and impressionistic music, drawing its inspirations from jazz, nature, and film. Evoking the great outdoors, self-discovery, and navigating between the immense and the infinitely small, this first album offers an intricate musical journey that is both energetic and reflective. Consisting of pianist and composer Arnaud Spick-Saucier, bassist Etienne Dextraze, drummer Philippe Lussier-Baillargeon, and saxophonist/flutist Alex Dodier, SHPIK has performed at famous jazz events, including the Montreal International Jazz Festival. Do yourself a favour by not missing this extraordinary breath of fresh air.

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. The talented American singer Michelle David performs pop and gospel music that feeds the heart and soothes the soul. Having grown up with the church, she started singing at the age of four. A year later she joined her first band, The Mission of Love. In 1980 she enrolled at Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City, known from the film 'Fame'. During this time, she appeared as an extra in the legendary comedy film 'Ghostbusters'. Musicals and tours with the bands of Diana Ross and Michael Bolton followed.

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. This episode of TorTube entitled Vägen, features iconic Swedish jazz pianist Martin Tingvall and his trio. Tingvall has a knack for writing bright melodies that sound like they have been around for ages. During the Tingvall Trio’s performance at De Tor in Enschede, the band’s irresistible grooves reveal drummer Jürgen Spiegel’s rock and hip hop background, and double bass player Omar Rodriguez Calvo’s Cuban heritage.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1985, jazz quartet Phalanx appeared at the festival. The quartet featured guitarist James 'Blood' Ulmer, drummer Rashied Ali, tenor saxophonist George Adams, and bassist Sirone. This short-lived group, which was described as "an ad-hoc supergroup that thrived and disappeared", produced three albums in the period 1986-1988.

‘Identities: The Recording’ is a concert film about the recording of composer, arranger, saxophonist and band leader Kārlis Vanags’s album "Identities" with the Latvian Radio Big Band. The film shows all the album tracks as well as behind-the-scenes footage. "Identities", which was recorded directly to analog tape without editing or overdubbing, won the Latvian Music Award for Best Latvian Jazz Album in 2020. The Latvian Radio Big Band is one of the Baltic’s most legendary jazz ensembles. It has proven itself on countless high quality recordings over the years, and has brought together outstanding jazz musicians. “Identities" is made up of surprisingly honest and personal Kārlis Vanags compositions that are rooted in the big band tradition. This recording of lively, contemporary swing music is as popularly accessible as it is artistically rewarding.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1980, American soul legend Ray Charles brought the Raelettes and the Ray Charles Orchestra to the North Sea Jazz Festival in The Hague. With the full force of these two groups behind him, Charles showed why throughout his storied career he has been viewed as one of the most recognizable voices in music.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the legendary drummer Buddy Rich.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

Count Basie is one of the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. His instrument was his band, which was considered the epitome of swing and deeply influenced jazz. In this 1961 concert recording, Count Basie takes the stage in Charleroi.

This might come unexpected, but the Brussels Jazz Orchestra (BJO) is not the kind of jazz orchestra that sticks to standards. They prefer to achieve the highest level by composing original music, creating unique arrangements, and playing inventively as well as passionately. In fact, it really is jazz with a dynamic orchestral sound, with a classic strength in which each musician is also a brilliant soloist. Call it an ‘orchestrated passion for jazz’ that incites BJO to create world-class music. Founded in 1993 by Frank Vaganée, Serge Plume and Marc Godfroid, the Brussels Jazz Orchestra is recognised and has been subsidised by the Flemish Government since. Brussels Jazz Orchestra is orchestra in residence at Flagey in Brussels. During this project the BJO performs with David Linx. The Belgian jazz singer will resort to any idiom, any language, any time signature. Occasionally he seems to dispense with bar lines altogether, or he will go beyond lyrics, as he abandons his own words for some free-wheeling scat.

Live Recording at the Palais Des Sports from 1977. Aretha Franklin performs songs like ‘Respect’, ‘You make me feel like a natural woman’, ‘La vie en Rose’ and ‘Singing in the Rain’.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Raul Midón appeared at 2017’s Sing Jazz Festival in Singapore with double bassist Romeir Mendez and drummer Billy Williams. Blind since birth, Raul Midón is a singer, guitarist, and songwriter from New Mexico. With a vocal range as dynamic as his guitar playing and a remarkable talent for trumpet mimicry, Midón’s performances transcend musical boundaries, effortlessly blending rock, jazz, folk, and Latin pop into his unique sound. He has worked with numerous legends, including Bill Withers, Herbie Hancock, Sting, and Dianne Reeves, and his album ‘Bad Ass and Blind’ was nominated for a Grammy Award for Best Jazz Vocal Album in 2018. No wonder the Sing Jazz audience were ecstatic!

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1995, vibraphonist Gary Burton and pianist Makoto Ozone, both great jazz players noted for their virtuoso technique and innovative style, came together to give a concert of improvised music. They delighted the audience with their fluid, poetic artistry, which was expressed in a performance of the highest order.

Hailing from a long tradition of Malian kora players, Ballake Sissoko has worked with renowned musicians such as Toumani Diabaté and Taj Mahal. He met the French born Vincent Ségal by chance, and the two began jamming together, uncertain of what kind of music might result. As a former member of the French National Orchestra, Ségal's Western classical training does not prevent him from exploring a wide variety of extended techniques, rendering his cello a flexible partner to Sissoko's kora. A childhood spent in the Pigalle district of Paris surrounded by immigrant communities exposed Ségal to African music from an early age. As such, he possesses a natural sensitivity to Sissoko's West-African style. The concert shows a brilliant interplay between the two musicians and combines the several worlds of jazz, Malian and classical music.

Short Documentary about Jazz in The City: London.

This film is a souvenir of an extraordinary concert. It reveals the true personality of Liz Mc Comb: more than a great gospel singer, she is a lover who dreams of sharing her generosity with us. Liz Mc Comb sings, among others, 'I'm Just a Poor Wayfaring Stranger' for all the immigrants in the world, followed by her famous 'Time Is Now'.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Miriam Makeba, also named Mama Africa, was a South African singer, actress, United Nations goodwill ambassador, and civil-rights activist. Her career flourished in the US, where she released several albums. Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Her performances at Estival Lugano is beyond incredible. Her voice, the power and the soul summarizes her musicality in 40 minutes, together with her band and extremely talented backing-vocals.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Zurich serves as a backdrop for sets by pianist Stefan Rusconi, Grand Pianoramax, and Nik Bartsch.

The treasured compositions of guitarist Django Reinhardt, the founding father of hot club jazz, are engraved in everyone's memory. Although Reinhardt missed two fingers of his left hand, his virtuoso technique was unrivalled. Dutch guitarist Stochelo Rosenberg and pianist Peter Beets now have the pleasure to bring Django’s music back to life with their infectious improvisations.

New Cool Collective have been happily grooving on 24 years of fame thanks to their unique mix of jazz, dance, latin, salsa, afrobeat and boogaloo. As pioneers in the Dutch jazz scene NCC has received many awards and the band have toured the great expanses of Europe, Asia and North America. They not only play hipster jazz clubs but also such huge pop and rock festivals as Sziget, Lowlands (Netherlands) and the Aberdeen Alternative Festival. And they collaborated with many Dutch and international artists on tour and in the studio. During this show New Cool Collective is expended to the big band formation, expect energetic, danceable and great music!

The use of the harp in jazz is quite rare, especially in modern groups that also incorporate electronic effects. The combination of a harp with more conventional jazz instruments and electronic manipulation makes the Julie Campiche Quartet a unique ensemble in today’s jazz world. On August 3, 2016, at the Hafensommer Festival in Würzburg, Germany, the group, which also includes saxophonist Leo Fumagalli, bassist Manu Hagmann, and drummer Clemens Kuratle, played extended versions of group originals “Onkalo,” “Datstet Dar Nakoneh,” and “Flash Info.” The group has yet to release a full album, making these performances especially welcome.

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content. Saxophonist Ben Sluijs received a classical training. He has a strong melodic and harmonic approach to music. His music offers no room for showing off: it’s all about the music itself. Sluijs’ fascination for jazz developed after his cum laude graduation, inspiring him to take lessons with the American saxophonist and flutist David Liebman in the USA.

As a 25-year-old saxophonist, Maceo Parker played in the band of James Brown, but he is also known for his collaborations with George Clinton's Parliament-Funkadelic and Bootsy Collins' Rubber Band. Maceo has proven his star quality by creating a special chemistry between all the different styles of American black music. As a pioneer in the ‘groove’, he blends funky jazz with roots and blues with gospel. The result? Overheated concert halls, with enthusiastic audiences that completely surrender themselves to the music's boundless energy.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

Double bassist Avishai Cohen’s trio with Noam David (drums) and Omri Mor (pianist) joined forces with the international Symphony Orchestra ‘INSO-Lviv’, conducted by Christian Schumann. On June 24, 2017 they brought Avishai Cohen’s signature blend of influences from Eastern Europe, American jazz and the Middle East to the Alfa Jazz Festival in Lviv, Ukraine. Cohen, who also supplies vocalizations in the Judeo-Spanish dialect Ladino, came to prominence internationally in the 1990s when jazz great Chick Corea offered him a place in his trio and a recording deal. Thirty years later, Cohen has become a house-hold name himself, leaving his Ukrainian audience enthralled and connected through the universal language of music.

Unlike many of his fellow jazz cats, vocalist Gregory Porter transcends the jazz bubble. After sustaining a shoulder injury, this former American football player turned to jazz singing. He was discovered in a Californian jazz club by pianist, saxophonist and composer Kamau Kenyatta. Porter lent his vocal skills to gospel choirs across the country and a string of successful musicals before turning his talent to his own compositions. His rise since then has been meteoric. Porter’s magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line. This live performance at the Olympia showcases this man's worth, and is a truly amazing experience!

Brazilian artist Gilberto Gil returns to Jazz à Vienne in France with a new round of singing that is inspired by his latest album ‘Fé na Festa’: a mixture of celebration, tradition and even some rock now and then. Gilberto Gil, worldwide known for as musician and the Brazilian minister of Culture, was one of the pioneers of the cultural movement ‘tropicalismo’. This movement, with a strong character of social protest, combines elements of traditional Brazilian culture with modern art forms. Gilberto Gil's new sound clearly has its roots in Brazilian culture, yet it is always inspired by jazz.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. "The Art of Duo" presents an unprecedented duo featuring pianist Salman Gambarov and sheng player, a Chinese mouth-organ, Wu Wei.

In May 2014, the Conservatory of Amsterdam hosted a unique conference about one of the greatest jazz composers of the 20th century: Duke Ellington. Musicologists and musicians with a special bond with Ellington and his music spoke about his life and music. Among them were David Schiff, author of ‘The Ellington Century’, and Harvey Cohen, author of ‘Duke Ellington’s America’. Moreover, concerts were played by jazz pianist Matt Cooper, the Calefax Reed Quintet, and the Concert Big Band of the Conservatory of Amsterdam conducted by David Berger. The winner of the Boy Edgar Prize 2013, viola player Oene van Geel, performed his ‘All Ellington Project’.

The veritable tombak virtuosos of Trio Chemirani, consisting of Chemirani Senior and Juniors, enrapture the Festival de Saintes. The tombak is a Persian percussion instrument, but its rhythms are universal. The Trio Chemirani’s music is accessible to all and will certainly resound with each listener. The members of the trio, Djamchid Chemirani (born in Teheran in 1942) and his two sons and pupils Keyvan and Bijan, are living in France. Their concert performances bring them all over the world, as they explore the endless potential of their Persian percussion instruments. The trio finds also inspiration in Mediterranean modal music and jazz. These three musicians, who might well be thought of as poets, are in search of a common language that connects several cultures.

In this 1970 performance at Maison de la Radio in Paris, France, American blues legend John Lee Hooker (voice and guitar) is joined by the masterful Carey Bell (harmonica), Joe Harper (bass), Lester Dorsie (drums), and Jimmy Dawkins (electric guitar). From the first to the very last minute of the concert, Hooker illustrates why he, 45 years later, was to be ranked 35th on Rolling Stone’s 2015 list of 100 Greatest Guitarists: this bluesman is truly in a class of his own.

Explore the music of one of the most influential and innovative saxophonists in jazz history: John Coltrane! Immerse yourself in this collection of remarkable performances from the early 1960s that showcase Coltrane's unparalleled artistry and unique sound during a transformative period in the artist’s career. Recorded in various European cities, Coltrane is seen playing the songs “Autumn Leaves”, “Hackensack”, “My Favorite Things”, “I Want To Talk About You”, “Vigil”, and “Naima”. Tune in and experience why the music of John Coltrane has touched the lives of so many!

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Nelida Karr, sings and plays guitar, piano, cello and percussion. She writes songs suffused with the many influences she assimilated growing up in Malabo in Africa’s only Spanish-speaking country, Equatorial Guinea. The result is an eclectic mix that she nevertheless incorporates into a sound all her own.

Jazz, funk, or soul: the JazzArt Orchestra tackles each genre without batting an eye. One of the orchestra’s ambitions is to cooperate with other art disciplines, and to contribute to the local cultural climate in the East of the Netherland. Recently, JazzArt has agreed with Odeon Theatres in Zwolle, the Netherlands, to play two concerts a year at the Odeon Theatre. In these concerts, the orchestra collaborates with the winners of the Dutch Jazz Vocal Competition. This broadcast presents a concert registration of a 2015 concert from the Odeon Theatre in Zwolle. Performers are vocalists Ruben Hein, the gents of CC Campbell, Fay Klaassen, trumpeter Eric Vloeimans and keyboardist Folkert Oosterbeek.

The idiosyncratic pianist and composer Thelonious Monk (1917-1982) is one of the all-time greats of jazz. His music went largely misunderstood for the first 15 years of his career, after which he was rightly hailed as a genius, and received credit as a founding father of bebop. Several concerts from his 1966 European tour were recorded for television, featuring his quartet of Charles Rouse (tenor saxophone), Lawrence Gales (bass) and Benjamin Riley (drums). His quartet performed Epistrophy, 'Round Midnight, and Lulu's Back in Town in Warsaw for Polish television on April 4, 1966. On April 17, the same quartet performed a short set in Copenhagen for Danish television, featuring Lulu's Back in Town, Don't Blame Me, and Epistrophy.

SHYRE is the creative collaboration launched by Montreal-born vocalist and pianist Sarah Rossy. This five-member group mixes instrumental textures with ethereal ambience, taking the listener on a journey through passages of prose with unique aesthetics. SHYRE fuses pop-folk and jazz with symphonic timbres, and psychedelic ambience, employing lush strings, dynamic rhythms, and angelic harmonies. The resulting soundscape is innocent, yet fascinating. Sail away on the aural wings of music from their debut album New Year (2013).

American jazz trumpeter, composer, and bandleader Dizzy Gillespie (1917-1993) was one of the seminal figures of the bebop movement. He fuses all musical forms rooted in African culture, such as music from Cuba, Latin America and the Caribbean, into his music. On November 4, 1970 he played a concert in Denmark with the Kenny Clarke/Francy Boland Big Band, performing Con Alma, Brother K, Now Hear My Meanin’, Manteca, Let Me Outta Here, and Things Are Here.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. The Dave Brubeck Quartet gave an unforgettable performance at the North Sea Jazz Festival of 1982. The open-eared American pianist was one of the first to weave elements from both classical and African music into his improvisations and compositions. Known the world over for the million-selling 1961 crossover hit ‘Take Five’, the earlier, third stream-like output of his late 1940s Octet shows the origins of this ever-adventurous artist. Original Dave Brubeck Octet clarinettist Bill Smith (1926-2020) joined Brubeck for his 1982 North Sea Jazz Festival concert.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. The Morgenland Chamber Orchestra has been an integral part of the Morgenland Festival since 2009. This ensemble of musicians from Germany and various guest countries performs as part of the festival's opening concert. This episode includes performances sometimes energetic, sometimes soft and soothing.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. One of the bands performing here in 2019 is The Earth, Wind & Fire Experience. In this concert, original Earth, Wind & Fire guitarist, writer and musical director Al McKay performs the band's timeless disco and soul. Together with seven of the thirteen original Earth, Wind & Fire members, he keep hits such as Boogie Wonderland and September alive, touring all over the world.