Program Mezzo

Berliner Philharmoniker, Kirill Petrenko (conductor) Benjamin Bernheim (ténor) Piotr Tchaikovsky 1840 - 1893 Eugen Onegin, op. 24 | Polonaise - Introduction, Scene and Lensky’s Aria from Act 2 Gabriel Fauré 1845 - 1924 Pelléas et Mélisande, orchestral suite, op. 80| Sicilienne Charles Gounod 1818 - 1893 Roméo et Juliette | L’amour ! (Act 2) Piotr Tchaikovsky Romeo and Juliet, Fantasy Overture after Shakespeare Jules Massenet 1842 - 1912 Werther | Prelude to Act 1 - Pourquoi me réveiller (Act 3) Georges Bizet 1838 - 1875 L'Arlésienne, Suite No. 2 | Farandole Carmen | La fleur que tu m'avais jetée (Act 2) Emmanuel Chabrier 1841 - 1894 España, Rhapsody for orchestra George Gershwin 1898 - 1937 Cuban Overture Berlin, Philharmonie, 31 December 2025

Insula orchestra, Insula camerata, Laurence Equilbey (conductor) Pierre Génisson (clarinet), Miguel da Silva (viola) Max Bruch 1838 - 1920 Die Loreley, Overture Concerto for clarinet and viola Ludwig van Beethoven 1770 - 1827 Symphony No. 5 Boulogne-Billancourt, La Seine Musicale, 24 September 2025

Claudio Abbado 10 years after

Born in the United States, Madeleine Peyroux is a jazz singer and guitarist with an unclassifiable style and an exceptional artistic personality, carried by a voice that is both soft and husky, with blues and folk accents. After spending part of her childhood in the United States, she moved to France as a teenager where she joined her first jazz bands. An atypical artist, she performs a lot in the street while participating in festivals and creating her own albums. In 2004, she had an international success with Careless Love. Other albums have been released since, including the recent Anthem (2018), the title of which is taken from a Leonard Cohen song.

Cappella Mediterranea, Leonardo García-Alarcón (Conductor) Mariana Flores (Soprano) Francesco Cavalli (1602–1676) ‘Mira questi due lumi’ | Le nozze di Teti e di Peleo (1639) ‘Or con pania e con esca’ | Le nozze di Teti e di Peleo ‘Volgi, deh volgi il piede’ | Gli amori di Apollo e Dafne (1640) Sinfonia di viole a 5 | Le nozze di Teti e di Peleo ‘Amanti, se credete’ | Egisto (1643) ‘Aprite, aprite gl’occhi’ | L’Ormindo ‘Udite, amanti’ | Doriclea (1645) ‘A tuo dispetto Amor’ | Scipione affricano (1664) ‘Occhi per pianger nati’ | La virtù dei strali d’Amore (1642) ‘Dell’antro magico’ | Giasone (1649) ‘Dimmi Amor, che farò?’ | Oristeo (1651) ‘Lassa, che far degg’io?’ | Giasone ‘Una stila di speme’ | Ercole amante (1662) ‘Restino imbalsamate’ | La Calisto (1651) ‘Speranze voi che siete’ | Erismena (1655) ‘Ed è pur vero, o core’ | Xerse (1655) ‘Quest’è un gran caso al certo’ | Hipermestra (1658) Sinfonia a 3 (Prologo) |  L’Orione (1653) ‘Menfi, mia patria, regno’ | La Statira (1655) ‘Pur ti stringo, pur t’annodo’ | Eliogabalo (1667) ‘E vuol dunque Ciprigna’ | Ercole amante Directed by John Blanch Bayreuth, Ordenskirche St. Georgen (Bayreuth Baroque Opera Festival), 11 September 2025