Program Stingray Djazz

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by the multi-ethnic ensemble Hijaz. This band explores the dialogue between piano and the oud, a pear-shaped stringed instrument from the East. Hijaz is a close-knit quartet that explores the differences and similarities between Mediterranean cultures in order to create moments of harmony, warmth, and great musical beauty.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Homelands is a collaboration between Artvark Saxophone Quartet and Cameroonian-Dutch singer Ntjam Rosie. The music is inspired by both traditional and modern music from Ntjam’s home country Cameroon, (Manu Dibango and Richard Bona) as well as by an Afro-European blend of soul, jazz, gospel and world music. Using unorthodox sounds as the basis of their compositions, Artvark continues to be radical, experimenting with alternative ways of playing the sax. For this project, they explore the world of electronics and effects to create new sounds. Ntjam’s role is divers. She is the quartet’s fifth instrument, recites spoken word, plays (vocal) percussion, forms duos or trios with the saxophones and accompanies the quartet on her guitar. She performs texts in English as well as in French, one of Cameroon’s official languages, and sings in Bulu, her mother tongue.

This program presents two concerts from Schloss Ansbach in 1978. The first concert features Gil Evans and his orchestra, consisting of Gil Evans on piano, Steve Lacy on soprano saxophone, Arthur Blythe on alto saxophone, Pit Levin on synthesizers, Earl McIntyre on trombone, Lewis Soloff on trumpet, Geoffrey Berlin on bass and Sue Evans on percussion instruments. The second concert features saxophonist Ornette Coleman at the peak of his musically expressive powers. Coleman is joined by Bern Nix on guitar, Charles Ellerbee on guitar, Albert Arnold on bass, and Shannon Jackson on drums and percussion.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Guitarist, composer and director Marnix Busstra loves crossing borders. He travels the world with his jazz bands, plays guitar and bouzouki, writes jazz and theatre-songs, and co-creates and directs the exuberant theatre shows of his wife, the Dutch diva Karin Bloemen. Busstra is a constant wheel of invention, with technique expanded by his creative urge to find something new, an evolving state that adds immeasurably to his art. The Marnix Busstra Band was founded in 2011 by its namesake. Joined by piano talent Rembrandt Frerichs, the ever creative double bassist Arnold Dooyeweerd and the inspirational force of drummer Pieter Bast, Busstra introduces a unique band that will definitely help broaden the jazz horizon. Marnix’ compositions are the starting point of the band. Musically, this band is a continuation of a development started by the quartet that Marnix co-leads with the renowned vibraphonist, Mike Mainieri. The result can best be described as lyrical, multifaceted jazz that centres around the profound interplay of the four musicians.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

‘Jazz a Vienne’ is one of the world's most prestigious jazz festivals. Ever since 1981 it has attracted leading jazz artists, with many of them playing return engagements. Unsurprisingly, the festival's 2012 edition did not fall short of expectations: the lineup was filled with the biggest names in music. Among them was vocalist Gregory Porter transcends the jazz bubble. His magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line.

Known outside jazz circles mainly for his film scores, French composer, arranger and pianist Michel Legrand has had a long and storied career in music. Interpreters of his compositions include jazz legends such as Sarah Vaughan, Stan Getz, and Bill Evans, as well as pop stars such as Barbra Streisand and Frank Sinatra. During this 1982 performance in the Belgian town of Spa, Legrand leads his orchestra through a number of original songs, including “The Summer Knows,” “What Are You Doing the Rest of Your Life?” and “Les Moulins de mon Cœur.” Singing either in English or French, Legrand delivers a spirited performance with plenty of romantic flair that is sure to capture your heart.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from the first row! This episode is a fantastic registration of the after party of the North Sea Jazz Festival: Boogieball. This mega jam session is a great coming together of, amongst others, bassist Bootsy Collins, guitarist Flávio Silva, and drummer/vocalist Sheila E.

In the 1960s, composer Michel Magne transformed the Château d'Hérouville, an 18th-century country house north of Paris and former home of lovers George Sand and Frédéric Chopin, into the first residential recording studio. In addition to its excellent facilities, the complex featured a swimming pool and a beautiful garden, allowing artists to stay for weeks or months at a time. From David Bowie and Iggy Pop to Pink Floyd and Chet Baker, countless stars recorded unforgettable music here until the studio closed in the 1980s. Three decades later, Château d'Hérouville has reopened its doors. This program follows American singer-songwriter Melody Gardot as she visits the legendary studio. After an accident in 2003 left her hypersensitive to light and sound, Gardot discovered the healing power of music. At Hérouville, she gives an interview and plays a breathtaking live set. Her performance opens with a beautiful version of ‘Baby I’m a Fool’ and includes ‘If The Stars Were Mine’ and ‘Les Étoiles,’ before concluding with the Chet Baker hit ‘You Don’t Know What Love Is.’ Melody Gardot (piano, guitar, vocals) is accompanied by Charles Staab (drums), Sam Minaie (double bass), Mitchell Long (guitar), Sylvain Gontard (trumpet), Ludovic Beier (accordion), Artyom Manoukyan (cello), and Guillaume Latour, Alexandra Kondo, and Benjamin Ducasse (violin).

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. These portraits were recorded at jazzahead! 2024 in Bremen, Germany.

This broadcast is the first part of a concert performed by Art Blakey and the Jazz Messengers, recorded at the Théâtre des Champs Elysées in Paris in December 1959. Co-founded in the early 1950s by American jazz drummer Art Blakey and pianist Horace Silver, this hard bop ensemble performed and recorded until Blakey died in 1990. Many jazz greats got their start in this band, including trumpeters Lee Morgan and Wynton Marsalis, saxophonists Benny Golson and Wayne Shorter, pianists Joanne Brackeen and Keith Jarrett.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

As one of the best Hammond B3 organ players, Jimmy McGriff (1936-2008) is often lost among great soul-jazz organists from his hometown of Philadelphia. Of the major soul-jazz pioneers, he was the bluesiest and often insisted that he was more of a blues musician than a jazz artist. Regardless, he remained eclectic enough to blur the lines of genres. His sound - deep, down-to-earth grooves drenched in blues and gospel feeling - made him popular with R&B audiences. This 1965 performance is part of the Comblain-la-Tour Jazz Festival.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the Swiss jazz band VEIN accompanied by saxophone player Greg Osby.

A two-part documentary, narrated by Dee Dee Bridgewater. Part 2: From Highlife to Musette On the road where European and African music converge, we discover the diverse influences of Jazz and her offshoots that exist today. New styles and revivals of past traditions enrich Jazz and render it the essential element of our entire music culture.

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the pianist Elliot Galvin is a member of the young UK jazz group Dinosaur. Performing with his trio, the gifted musician has been compared to Django Bates for his maverick imagination and ability to blend influences from all over the world.

In the second half of June 1965, during a prolonged European concert tour, American trumpeter Buck Clayton (1911–1991) played a residency at the Chikito, a club in Bern, Switzerland. With a local rhythm section of French pianist Henry Chaix, Swiss double bassist Théo Siegrist, and Swiss drummer Pierre Bouru, this stalwart of the Count Basie Orchestra gave a sparkling performance that was documented for posterity by Radio Télévision Suisse in the program ‘Variétés’. Opening with the George Gershwin favorite ‘’S Wonderful’, the program continues with two swing-era classics: ‘I Can't Get Started’ and ‘Honeysuckle Rose’. Revel at how easily Clayton finishes ‘Honeysuckle Rose’ on a high concert F! A spirited romp through Juan Tizol’s composition ‘Perdido’ closes this recording. The success of this booking ensured Clayton received repeated warm receptions in Bern in the following decades.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

American jazz saxophonist and two-time Grammy nominee Bill Evans plays at the legendary Parisian nightclub New Morning with Wolfgang Haffner (drums), Gary Grainger (bass) and Simon Oslender (keys), collectively known as The Spykillers. Naturally, a Bill Evans concert would not be complete without the song ‘Jean Pierre’, a French nursery song Evans recorded during his tenure with Miles Davis’s band in the 1980s. Evans shares his recollections of how Miles Davis came to play this song. Enjoy this 2019 recording of Bill Evans & The Spykillers at New Morning in Paris!

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Decades after the 1930s swing era came to an end, one of its giants, pianist Teddy Wilson (1912–1986), kept the flame of this music alive during countless international concert tours. During a hectic spring tour of Europe, the acclaimed pianist appeared at Geneva’s Théâtre de l’Atelier on March 21, 1969. Before Wilson’s concert, Swiss actor Jean Landier recorded an episode of Radio Télévision Suisse’s program ‘Variétés: Jasons Jazz’ with him. After a brief but insightful interview, Teddy Wilson performed ‘After You've Gone’ and ‘Body and Soul’, both with the local rhythm tandem of drummer Peter Giger and double bassist Isla Eckinger. This broadcast is a priceless document of masterful jazz piano in the best of taste.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. Back in 1979, legendary American blues guitarist B.B. King gave an unforgettable performance for the audience in The Hague. Born in 1925 in a small town in Mississippi, 'Lucille' (as he nicknamed his guitar) helped him escape a miserable existence picking cotton. He arrived in Memphis in the late 1940s, where his cousin Bukka White taught him the tricks of the blues. Soon he developed his own style. King’s virtuoso, narrative solos with lots of vibrato, have been an inspiration for most (rock) guitarists after him.

Five promising musicians get together in Rotterdam jazz club BIRD’s artists-in-residence project “The Nest”. Over the course of seven sessions, these talents exchange ideas, work on their projects, and play music together. Following this period, during which record producer Jameszoo and music manager Jochem Tromp offer their coaching experience, BIRD and North Sea Jazz Festival’s fringe festival DownTown organize a tryout performance. In this short documentary, the artists share their impressions from the project. They introduce themselves, reveal why they joined The Nest and formulate what they hope to learn from the experience. Naturally, we get a glimpse of the songs they wrote during the sessions, as performed during the tryout show. Featuring Lisette Ma Neza (slam poet), Peter Somuah (trumpet), Michelle Samba (drums), Huy Le (bass), and Brenn Luiten (piano).

Embark on a remarkable journey through the world of jazz piano as we showcase some of the most iconic and influential pianists in history. This collection of extraordinary performances captures the unique essence and brilliance of legendary pianists Art Tatum, Thelonious Monk, Bud Powell, and others. Revel in Oscar Peterson’s virtuosity as his trio plays “C-Jam Blues” in Holbaek, Denmark, on May 2, 1964. Let the sublime artistry of Art Tatum captivate you as he interprets Antonín Dvořák's “Humoresque” in 1953. Discover Thelonious Monk’s enigmatic genius as his quartet performs his iconic composition “Round About Midnight” in Poland on April 4, 1966. Experience the timeless appeal of the Dave Brubeck Quartet's odd-metered “Take Five", recorded live in Brussels, Belgium, on October 10, 1964. Delight in the lyrical beauty of Bud Powell's solo performance of “Sweet and Lovely” at the Antibes Jazz Festival of July 13, 1960. Witness the fusion of jazz and funk in Herbie Hancock & The Headhunters' exhilarating studio performance of “Sly” in Bremen, Germany, recorded on November 6, 1974. Lastly, enjoy the soulful grooves of Horace Silver's “Song for my Father” performed by his quintet at the Umbria Jazz Festival of July 20, 1976. Tune in and let these legendary jazz pianists transport you on unforgettable musical adventures!

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

The UK based band Metronomy started out as a bedroom project by Joseph Mount, who during its early stages was the sole contributor to the band's repertoire. After the debut release, Mount started expanding the band's personnel: first by adding two members, and later increasing it by one more. Metronomy's critical acclaim comes from frenetically hybrid indie pop style knitted together with trademark electronic sounds inspired by Mount's favorite acts, namely Autechre and Funkstorung. Here Metronomy performs at Beck's Festival Bar, in Sydney, Australia, on January 15, 2009.

Amsterdam, February 6th, 2018 - The short documentary Rebirth in The Amsterdam Red Light District illustrates how brutal Richard Lems' life as an addict was and his struggle to unshackle himself from the shame. Filled with fierce, freighting, and sad moments, Richard relives his stabbing, stay in jail, drug test, and drug use. Richard expresses himself verbally but mainly relives the moments through drumming, which renders the documentary an intense and unique experience. Addiction doctor and musician Gerard Alderliefste: “If he dares to bottom out, he will see it was the drugs and not himself. Music can bring those emotions to the surface”.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode is all about the Habanera Duo, which sprung from a meeting of minds between flutist Marc Grauwels and accordion player Christophe Delporte, around their shared passion for the Argentine tango and the music of Ástor Piazzolla. After hearing how well their instruments blended, these two musicians founded the Habanera Duo. The duo offers the audience an eclectic repertoire that is simultaneously refined and audacious. Expect a beautiful hodgepodge of classical music and jazz, inspired by composers ranging from Piazzolla to Gioacchino Rossini.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, an outstanding lineup played shoulder-to-shoulder at the 7th Newport Jazz Festival held in Rotterdam's then-recently built concert venue De Doelen. These masterful groups consisted of pianist Dave Brubeck and his trio (Jack Six on bass, Alan Dawson on drums), with accompaniment from Paul Desmond on alto saxophone and Gerry Mulligan on baritone saxophone, and bassist Charles Mingus and his group (Joe Gardner on trumpet, Hamiet Bluiett on baritone saxophone, John Foster on piano, Roy Brooks on drums) with the great high-note trumpeter Cat Anderson as a guest, alongside Hammond organist Jimmy Smith and his band (featuring Art Farmer on flugelhorn, Illinois Jacquet on tenor saxophone, Kenny Burrell on guitar, Clark Terry on trumpet, and Roy Haynes on drums) at the Newport Jazz Festival in Rotterdam.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed and curated in São Paulo by director and presenter Dani Gurgel and producer and engineer Thiago Rabello, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. Curated by its percussionist and leader, Guegué Medeiros, the collective Fuá Do Guegué aims to bring together professionals and artists who identify with and value the rhythms, characteristics, and art of Brazil’s Northeast. With a healthy disregard for preconceived notions and restraints, the collective combines music, film, and dance in their eclectic and highly energetic sets. Fuá Do Guegué consists of Guegué Medeiros (percussion); Salomão Soares (piano); Lau Trajano (bass); Danilo Moraes, Beibe, and Janayna Pereira (percussion and vocals); and Olivio Filho (accordion).