Program Stingray Djazz

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with gipsy jazz heros Stochelo Rosenberg, Martin Limberger and Frans van Geest. The strength and precision of Van Geests' rhythms and tempo, and the ease with which Stochelo's lead guitar soars above them, make this band a cohesive collective - unique in their renditions of standards, Django's classic compositions, and original tunes composed by Stochelo himself.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

If any two musicians share a special bond when they perform, it’s pianist Carla Bley and bassist Steve Swallow. The two have performed in the same bands since the 1960s and have been romantic partners for more than two decades. Watching them perform is the definition of musical telepathy. A glance or a smile seems to change the feel of the music. In 1988, Swallow and Bley began performing duet concerts in Europe, United States, South America and Japan. This performance of Duets, their album of songs arranged for piano and bass, was released that same year. The performance showcases their approach to traditional jazz, folk and classical music, as well as their poignant musical story.

Forq is an instrumental quartet with an aggressive sound and a penchant for sonic exploration. Originally founded by keyboardist Henry Hey (David Bowie, Empire of the Sun, and Jeff "Tain" Watts) and bassist Michael League (Grammy-winning founder of Snarky Puppy), Forq is joined by guitarist Chris McQueen and drummer Jason "JT" Thomas. Their group sound draws from various musical paths of its members, whether it’s Jason’s swampy grooves and shuffles, Chris’ singular sonic approach to guitar, Henry’s zeal for unique keyboard sounds and twisted ear candy, or Michael’s driving world-influenced grooves. The band pushes further down the sonic rabbit hole with their stunning music. This concert was filmed during Mondriaan Jazz Festival 2017, The Hague.

What Jamie Cullum is to England, Wouter Hamel is to the Netherlands: a performer who knows the difference between jazz and pop! Hamel is backed by big band Sven Happel (double bass), Jasper van Hulten (drums), Gijs Anders van Straalen (percussion), Rory Ronde (guitar), Benjamin Herman (saxophone), and a string ensemble. Hamel plays the guitar, piano, sings, and writes many of his own songs. He made his debut in 2007 with the eponymous album Hamel on Dox Records; it was a hit on the Dutch albums chart, remained on the Top 20 for over a year, and spawned the hit "As Long as We're in Love”. The show was recorded at the legendary venue Paradiso, a former church considered the "pop temple" of the Netherlands. Hamel's performance of "One More Time on the Merry-Go-Round" perfectly connects the beautiful venue in the heart of Amsterdam and the enthousiastic audience.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, legendary swing band leader jazz clarinettist Benny Goodman performed two sets with his septet at the North Sea Jazz Festival in The Hague. True to form, with his concert the 'King of Swing' revisited the atmosphere of the swing era – the 1930s – when jazz enjoyed tremendous popularity. Goodman's septet includes Scott Hamilton (tenor saxophone), John Bunch (piano), Phil Flanigan (double bass), Mel Lewis (drums), Warren Vaché (trumpet), and Chris Flory (guitar). Here is the second of two sets recorded at the festival in 1982.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

Explore the music of one of the most influential and innovative saxophonists in jazz history: John Coltrane! Immerse yourself in this collection of remarkable performances from the early 1960s that showcase Coltrane's unparalleled artistry and unique sound during a transformative period in the artist’s career. Recorded in various European cities, Coltrane is seen playing the songs “Autumn Leaves”, “Hackensack”, “My Favorite Things”, “I Want To Talk About You”, “Vigil”, and “Naima”. Tune in and experience why the music of John Coltrane has touched the lives of so many!

Jazz festival slash conference inJazz brings together the supply and demand sides of the Dutch jazz scene, helping artists share knowledge and experiences and stimulating the development of international relationships. The conference program includes inspiring panel discussions, workshops, networking sessions and presentations. During the night, promising Dutch jazz acts as well as more seasoned groups hit the stage to show what they’re capable of. One of the artists performing at inJazz is Sabrina Starke, a self-made, award-winning singer-songwriter, producer and self-empowerment ambassador. She has won an impressive number of prestigious awards for her soul-soothing music.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Pianist Kenny Barron’s June 27, 2019 appearance at the Alfa Jazz Festival in Ukraine’s Lviv was a celebration of sublime jazz virtuosity. The revered elder statesmen of jazz piano brought his regular working trio of Kiyoshi Kitagawa (bass) and Jonathan Blake (drums), augmented by stellar jazzman Marcus Strickland (tenor saxophone) and young lion Riley Mulherkar (trumpet). Their seamless blend of classic bebop and modern explorations spoke of a deep, emotive connection to each note, captivating the Ukrainian audience with lyrical improvisations during this unforgettable concert.

Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

British pianist George Shearing enjoyed an international reputation as an instrumentalist, arranger, and composer. Equally at home on the classical concert stage as in jazz clubs, he was recognized for his inventive, orchestrated jazz. In this live recording from the Munich Philharmonie, Shearing played in a duo format with Canadian double bassist Neil Swainson. The repertoire consisted of a selection of compositions by Shearing himself, among them ‘Lullaby Of Birdland’, which is a standard in jazz repertoire.

Dionne Warwick’s vocal artistry ranges from voluminous deep register to soft, fragile high notes. She masters the entire range with almost unnerving ease. But more than her strong, warm voice, Dionne’s magic is in the silky elegance and the secure delivery with which she tells a story. That’s how her, along with composer Burt Bacharach and lyricist Hal David become pioneers of the brand of pop music called “Middle of the Road”, meaning pop that is grippingly simple, but never trite. Sixty of her hits made it into the American charts and sold over 100 million albums worldwide. This amazing 1964 recording from the 27 Club in Knokke, Belgium showcases the 23-year-old star vocalist at the start of her career.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

The Brussels Jazz Club was filled to the brim with both musicians and audience members when the Maynard Ferguson Big Band performed there during their Winter Tour of 1980. From the first notes of the cover of Weather Report’s “Birdland” that opens the performance to the final notes of “Gonna Fly Now” that closes it, Ferguson gives his young sidemen ample time to shine. The mutual admiration shared by the leader and his sidemen makes this performance a delight to watch.

Aki Rissanen's interest in jazz came after he started taking classical piano lessons. His deep interest in improvised music placed him among top jazz pianist in his home country - Finland. While composing and performing his own music, Rissanen has also collaborated with Verneri Pohjola and Dave Liebman, and today his name appears among the top European jazz musicians. Live from 'Jazzclub Unterfahrt' in Munich, Germany, together with Antti Lotjonen on bass and Teppo Makynen on drums, Rissanen showcases the best of Scandinavian jazz and its DNA - the Nordic Tone.

‘Jazz a Vienne’ is one of the world's most prestigious jazz festivals. Ever since 1981 it has attracted leading jazz artists, with many of them playing return engagements. Unsurprisingly, the festival's 2012 edition did not fall short of expectations: the lineup was filled with the biggest names in music. Among them was the legendary pianist McCoy Tyner. Tyner has become one of the most influential pianists in jazz history. During the first half of the 1960s, Tyner was part of the classic John Coltrane Quartet. As such, Tyner’s playing supported the iconic saxophonist’s ventures into his spiritual quests. Joined on stage by Coltrane’s son Ravi, with Gerald Cannon on double bass and Montez Coleman on drums, Tyner treats the festival’s audience to an impressive performance.

To celebrate the release of Django, the Parisian New Morning Club pays tribute to the legendary guitarist Django Reinhardt. The program showcases the magic of Reinhardt’s compositions, as well as the virtuosity of one of his most famous heirs: Stochelo Rosenberg. With unbridled passion and enthusiasm, Rosenberg interprets the music that marked French musical heritage: gypsy jazz. Rosenberg cultivates an exceptional technique with a unique vibrato and sets an example for guitarists and other instrumentalists who aim to keep music alive. On stage at New Morning Club, Rosenberg is supported by Hono Winterstein (guitar), Mathias Levy (violin), Rocky Gresset (guitar), and Xavier Nikqi (double bass).

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

‘Ella Fitzgerald: Live in '57’ features ‘The First Lady Of Song’ in a distinct performance. It's the earliest known complete concert of Ella to be captured on film. Shot in Belgium, this 1957 concert sees her performing with jazz greats Ray Brown, Herb Ellis, Jo Jones and the legendary Oscar Peterson on classics such as ‘Lullaby Of Birdland’ and ‘It Don’t Mean A Thing (If It Ain’t Got That Swing)’. Although she wanted to be a dancer at first, Ella Fitzgerald already listened to recordings of Louis Armstrong, Bing Crosby and The Boswell Sisters at an early age. After her debut at an amateur talent show in 1934, Ella joined Chick Webb’s Orchestra with which she recorded several hits; after Webb died, she became the leader of the orchestra. In the late 1940s, Ella Fitzgerald became known as the ‘First Lady of Song’, with her wide vocal range of three octaves. The American jazz singer was particularly appreciated for her pure tone, intonation and phrasing, and unparalleled improvisational abilities. In a career that spanned close to 60 years, Fitzgerald sold 40 million albums and won 13 Grammy Awards, mainly for her definitive interpretations of the Great American Songbook.

Despite his advanced age, the legendary jazz pianist Earl Hines was at the top of his game when he performed in the Belgian town of Spa in 1977. With a band consisting of Rudy Rutherford (reeds), Jimmy Leary (bass), and Eddie Graham (drums), Hines livens up the room with his interpretations of “I Can’t Believe That You’re In Love With Me” and “The Man I Love.” Marva Josie joins the group for soulful renditions of “A Sunday Kind of Love” and the well-known classic “Kansas City” before the set comes to a close with “Caravan,” which features a lengthy drum solo by Graham.

This documentary shows a song cycle by the Danish singer-songwriter Trinelise Væring and pianist Jonas Berg, featuring the Scandinavian Barokksolistene ensemble headed by solo violinist and artistic director Bjarte Eike. Væring’s songs possess a timeless quality with their gracefully swung melodies, while they are truly modern at the same time with their ‘in your-face’ approach to catchy hook lines and the largely groove-based arrangements. The music balances intelligently between being clever and being emotional. It is executed brilliantly by some Europe’s finest baroque musicians of the Barokksolistene ensemble. Væring is a remarkable vocalist who masters both the intensely fragile and the more powerful nuances. She is complemented by a pianist whose exquisitely tasteful playing builds on the great Scandinavian piano tradition, adding a pinch of Swedish folklore, pop music and free jazz. In combination with Trinelises unvarnished voice, the unique timbre of the baroque instruments, the vibrato-less sounds, and the ‘on the beat’ approach to groove, the music is far removed from the usual romantic setting of sweet pop songs. This music has edge, and is performed with engrossing vitality.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is Panorama de Coro. This ensemble combines jazz and traditional Brazilian music. The resulting music has a festive, almost street-like atmosphere. Panorama de Coro consists of Roberta Valente (pandeiro and percussion), Alexandre Ribeiro (clarinet), Gian Correa (7-string guitar), Henrique Araujo (cavaquinho), João Poleto (flute and tenor saxophone) and Yves Finzetto (pandeiro and percussion).

Big hits, booty dancing, stage dives, fan freestyles and of course, controversy, A$AP Rocky's debut Down Under tour had it all! At his sold-out Sydney show, hip hop's hottest star and 5000 rowdy fans got wild for the night at the Hordern Pavilion and we captured it all exclusively.

Estival Jazz Lugano is an annual, open-air music festival that takes place over five days in the picturesque city of Lugano, Switzerland. Since 1979, this musical Mecca has been a must-attend event for all jazz and world music fans worldwide. In 1985, American vocal virtuoso Bobby McFerrin took the stage solo at Estival Jazz Lugano. The one-man musical force stunned the audience with his unique vocal percussion as he delved into the crowd for this quirky and charming act.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

In 1988, Dee Dee Bridgewater was one of the first great jazz singers to perform at the Jazz Festival in Ramatuelle. In 2016, the story seems to repeat itself as her daughter China Moses took the stage at Ramatuelle. Over the years, China Moses has become a mature performer with a unique style: rocky voice, sharp sense of swing, and intense/energetic stage presence. After signing compilations dedicated to Dinah Washington and blues, Moses released in 2016 an album of his own compositions, entitled "Whatever". Get ready for a most entertaining performance combining jazz, soul, and hip-hop.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin 'the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Free & Afro Jazz," this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Fantazio, Eddy Lopez, Banoit Savard, and many others.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

When Daryl Hall and John Oates took to the stage at Sydney’s Entertainment Centre as the iconic bass line of ‘Maneater’ began to play, the fans knew they were in for a treat. This duo may have been opening concerts with that irresistibly smooth number for years, but it never seems to lose its magic, and the crowd – an eclectic mix of teens and baby boomers alike – lapped it up. Daryl Hall and John Oates wisely reunited a few years ago after a string of solo projects, and although Oates no longer sports his signature ‘tache, they put on the kind of show that makes it hard to believe they even considered going their separate ways. Earworms like ‘I Can’t Go For That’, ‘Out Of Touch’ and ‘Kiss On My List’ were surefire reminders that these guys are absolute hit machines, and their catchy synth-soul classics probably deserve to permeate the airwaves as much today as they did decades ago. These Philly crooners still have it in bucket-loads, so this show should have everyone from diehard Daryl Hall and John Oates fans to kids of the 80's groovin’ along in no time.

Moondog, a gaunt, mysterious and extravagantly-garbed blind street musician was celebrated among New Yorkers for two decades before gaining acclaim in Europe as an avant-garde composer conducting orchestras before royalty. Artists such as Charlie Parker, Leonard Bernstein, Steve Reich and Philip Glass have called him one of the great musical visionaries of our century. Day in and day out, the man whose real name is Louis T. Hardin, was as taciturn and unchanging a landmark of the midtown Manhattan streetscape as the George M. Cohan statue in Duffy Square. No matter the weather, he invariably dressed in a homemade robe, sandals, a flowing cape, and a horned Viking helmet - the tangible expression of what he referred to as his “Nordic philosophy”. For this show, he teams up with renowned saxophone ensemble London Saxophonic for an eccentric performance.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch jazzband BRUUT led by saxophone player Maarten Hoogenhuis!

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Jazz festival slash conference inJazz brings together the supply and demand sides of the Dutch jazz scene, helping artists share knowledge and experiences and stimulating the development of international relationships. The conference program includes inspiring panel discussions, workshops, networking sessions and presentations. During the night, promising Dutch jazz acts as well as more seasoned groups hit the stage to show what they’re capable of. One of the artists performing at inJazz is Agnes Gosling. She has matured as a writer and arranger. The vocalist is unafraid to show her vulnerability. With her quartet, Gosling honors the tradition of great acoustic jazz while exploring new sounds and styles from the contemporary music world.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, the American jazz fusion band Spyro Gyra took the stage at the North Sea Jazz Festival in The Hague. Having struck gold with their album "Morning Dance" just a few years prior, they played a slick set with exuberant energy.

Chet Baker Quintet: Live in '64 features a great concert by the foremost interpreter of West Coast jazz in the early and mid-'50s. Chet Baker had a generally restrained, intimate playing style and attracted attention beyond jazz for his photogenic looks and great singing. However, his career was marred by drug addiction. This show is a haunting 1964 performance in a Belgian TV studio with a quartet including long-time sidemen and saxophonist Jacques Pelzer and French pianist René Urtreger. Songs include the Miles Davis classic “So What”, and a very rare rendition of jazz standard “Time After Time” featuring Chet’s cool vocal style.

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. This episode of TorTube entitled Vägen, features iconic Swedish jazz pianist Martin Tingvall and his trio. Tingvall has a knack for writing bright melodies that sound like they have been around for ages. During the Tingvall Trio’s performance at De Tor in Enschede, the band’s irresistible grooves reveal drummer Jürgen Spiegel’s rock and hip hop background, and double bass player Omar Rodriguez Calvo’s Cuban heritage.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Miriam Makeba, also named Mama Africa, was a South African singer, actress, United Nations goodwill ambassador, and civil-rights activist. Her career flourished in the US, where she released several albums. Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Her performances at Estival Lugano is beyond incredible. Her voice, the power and the soul summarizes her musicality in 40 minutes, together with her band and extremely talented backing-vocals.

Stemming from Brazil's São Paulo, Bixiga 70 is an exciting brass and percussion-based instrumental dance ensemble that combines jazz, funk, and Afro-Brazilian music, incorporating elements from dub, reggae, electronics, cumbia, carimbo, Ethio-jazz, and samba. The name Bixiga 70 is taken from a vibrant neighbourhood in downtown São Paulo. Organic, ritualistic, and sometimes even primal, the band’s music appeals to those who seek out mental and physical freedom.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. One of the artists appearing at jazzahead! 2022 is vocalist and charango player Sofia Rei. A native of Buenos Aires, Sofia Rei originally entered the conservatory there to become an opera singer. Following enriching experiences with Bobby McFerrin and the Maria Schneider Orchestra, she keeps creating daring new soundscapes that blend South American folk with pop, electronic music, and improvisation. She is joined by JC Maillard (guitar, bass, electronics), Sabrina Romero (percussion and vocals), and Jorge Glem (cuatro).

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is American pianist and composer Andy Milne’s trio Unison. With over three decades of experience, Milne, a protégé of legendary jazz pianist Oscar Peterson, has collaborated with notable figures including Ravi Coltrane, Andrew Cyrille, Sekou Sundiata, Avery Brooks, and Cassandra Wilson. Beyond jazz, Milne is recognized for classical compositions and his contributions to film and television scores. At jazzahead!, Milne’s trio Unison delves into the fusion of texture and groove. Andy Milne (piano) appears with Andrew Peck (bass) and Nate Winn (drums).