Program Stingray Djazz

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1995, vibraphonist Gary Burton and pianist Makoto Ozone, both great jazz players noted for their virtuoso technique and innovative style, came together to give a concert of improvised music. They delighted the audience with their fluid, poetic artistry, which was expressed in a performance of the highest order.

Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

Maria Ana Bobone (Portugal) is one of the best fado singers of her generation. She started singing fado when she was 16. Her debut album is called ‘Alma Nova’ and marked the beginning of her amazing career. For the recordings of her next two albums, ‘Luz Destino’ and ‘Senhora da Lapa’ Maria Ana welcomed instruments that are usually not present in fado music: the harpsichord and saxophone. After that, she continued her career with the release of ‘Nome de Mar’, which received many positive reviews. At the moment, Maria Ana is performing at all Portugal’s major venues, as well as many festivals and concert halls throughout the world, with the aim to present fado music and Portuguese culture to other cultures. Bobone’s latest album, ‘Fado & Piano’, shows her diversity as an artist, composer and arranger. By including the piano she re-innovates the tradition of the early 20th century. This portrait shows Maria Ana’s performances and interviews in which she explains her passion for fado music and culture.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. In 2019, one of these artists is the legendary bluesman Lucky Peterson, master of the blues guitar and Hammond organ, who celebrates 50 years on stage. Peterson is accompanied by his band The Organization, augmented by the talented vocalist Tamara Tramell. In a singular performance, she offers a fascinating mix of southern soul and modern R&B, exploring the limits of blues and funk.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned bands. In 2019, one of them is the Amsterdam-based Dutch instrumental collective Jungle by Night. The band plays a mix of various styles, inspired by funk, jazz, dub, rock, and others. The ensemble made its debut in 2010 and has played at numerous festivals. Their December 2010 performance with former backing musicians of Afrobeat founder Fela Kuti in Paris saw them hailed as "the future of Afrobeat".

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Tokyo serves as a backdrop for sets by Kyoto Jazz Massive, Sleep Walker, and Quasimode.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

In 1956, Duke Ellington and his Orchestra performed a legendary set at the third annual Newport Jazz Festival. It was tenor saxophonist Paul Gonsalves’ outstanding 27-chorus solo on “Diminuendo and Crescendo in Blue” that revitalized Ellington’s career. The success generated during that performance carried him for the rest of his life. By 1973, festivals carrying the Newport name were organized all over the world. Less than a year before his death, Ellington and his Orchestra, with Gonsalves still in the fold, appeared in Brussels to deliver a timeless performance before a highly appreciative crowd.

Pianist Peter Beets and the Henk Meutgeert New Jazz Orchestra performed at the Concertgebouw in Amsterdam on April 22, 2019. French singer Camille Bertault made a special guest appearance. In 2018, the New Jazz Orchestra was founded by two veterans of Dutch jazz: pianist Peter Beets and arranger Henk Meutgeert. This new big band consists of top tier young jazz talents from the Netherlands. French jazz vocalist Camille Bertault came into the public eye after she penned French lyrics to saxophonist John Coltrane’s famous song Giant Steps, and, most impressively, sang Coltrane’s solo by heart in a YouTube video. A feat of extraordinary technical ability and serious improvisational skill!

The line-up of the Julie Campiche Quartet is unconventional to say the least: Julie Campiche on harp, Leo Fumagalli on saxophone, Manu Hagmann on bass, and Clemens Kuratle on drums and percussion, with Kuratle deftly incorporating electronics into their individual sound. To say that the quartet takes its listeners on a musical journey is not an overstatement. During two performances (Campiche’s “Onkalo” and Kuratle’s “To The Holy Land”) from the Schaffhauser Jazz Festival on May 24, 2018, the Quartet slowly develops hypnotic grooves that features all the jazz sensibilities fans could wish for while still pushing the boundaries of what constitutes jazz.

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by the Free Desmyter Quartet. Desmyter is an obstinate improviser with a very original and recognisable sound. His compositions are never contrived, nor revolutionary, for that matter, yet they are contemporary and innovative.

Bootsy Collins, famed for playing with George Clinton and his very own Rubber Band, is used to playing syncopated, hard and relentlessly rhythmic music. With this unique style Bootsy was a major influence on the development of funk. Now in his 60s, the bassist seems animated by a new energy that reflects his new work on the album ‘Tha Funk Capitol of the World’. With this album, Bootsy Collins pays tribute to the artists with whom he worked during his frantic career: from James Brown and Parliament-Funkadelic to Fatboy Slim. During this concert, recorded at the festival Jazz à Vienne, Bootsy maintains that same energy, giving a spectacular show.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Since 2005, the Morgenland Festival, held in Osnabrueck, has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Jivan Gasparyan Jr has always been inspired by the folk melodies of his native Armenia. His grandfather, also a musician, taught him the art of duduk, an instrument of Armenian origin.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

George Shearing, blind since birth, is one of the world's greatest jazz pianists. Filmed on both sides of the Atlantic, this tribute to Shearing showcases the music which took the jazz world by storm. Specially-shot performances and archive clips feature music spanning the six decades of his remarkable career and classics such as ‘September in the Rain’, ‘Lullaby of Birdland’, ‘Greensleeves’, ‘Donna Lee’ and ‘Freedom Jazz Dance’ are included, as well as many other recent compositions.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the legendary drummer Buddy Rich.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

Arguably the greatest lady vocalists of all time are featured in this superb compilation. These historic recordings from the 1950s and 1960s offer a unique overview of different approaches to jazz singing that helped define the genre. Watch Billie Holiday’s performance of “God Bless The Child” closely and learn what made her such an influential jazz and pop singer. Enjoy Anita O’Day’s matchless rhythmic sense in a performance of “Honeysuckle Rose” recorded at the Arenateatern in Stockholm, Sweden on November 1, 1963. Marvel at Nina Simone’s December 1968 performance of “Ain't Got No, I Got Life” from London. Let Sarah Vaughan’s rendition of “Tenderly” sweep you off your feet – ‘Sassy’, or ‘The Divine One’, recorded this romantic evergreen in a television studio in Sweden on July 9, 1958. Last but not least, revel at the ‘First Lady of Song’: Ella Fitzgerald swung “Mack The Knife” in a December 4, 1960 appearance at The Embers in suburban Melbourne, Australia. Get to know the greatest lady vocalists in jazz history with this unique compilation of historic recordings!

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, The Garifuna Collective, carries the legacy of Andy Palacio who not only put the music of Belize on the world stage, it also inspired a generation of Belizean musicians to look to their roots. Featuring an intergenerational line-up and the rousing vocal prowess of the Umalali women singers, they celebrate the deep cultural roots of Garifuna music, with the emblematic sound of the two traditional Garifuna drums – the primero and the segunda – along with maracas, turtle shells, jawbones and acoustic and electric guitars and bass grooves.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. The 2018 edition of WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Vishten, has been animating audiences for 15 years with its fiery blend of traditional French songs and original instrumentals fusing Celtic, Acadian and contemporary folk influences with energetic virtuosity. The trio comprises multi-instrumentalists Emmanuelle and Pastelle LeBlanc from Prince Edward Island and Pascal Miousse from the Magdalen Islands.

American jazz tenor saxophonist Stan Getz (1927-1991) was nicknamed "The Sound" for his warm, lyrical tone. Performing in bebop and cool jazz groups, he popularized bossa nova in America with the hit 'The Girl from Ipanema'. In the summer of 1983, Getz brought his working quartet to the Robert Mondavi Winery, Napa Valley, California, for a set that included Over The Edge, Answer Without Question, Sippin' At Bells, Tempus Fugit, and a bossa nova medley of Desafinado and The Girl From Ipanema. Getz (tenor saxophone) is joined by bassist Marc Johnson, drummer Victor Lewis, and pianist Jim McNeely.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the American saxophone player James Brandon Lewis.

Art Farmer: Live in '64 highlights an amazing one-hour concert featuring the great flugelhornist in his prime. Farmer’s band includes legendary guitarist Jim Hall (fresh from Sonny Rollins’ band), drummer Pete LaRoca, and Steve Swallow on bass. The legendary ensemble plays both standards and originals with ease and finesse and highlights why Farmer was considered one of the most innovative horn players in all of jazz.

Lithuanian band Olivia Gongas gave an intimate performance at Vilnius jazz dance club Lindyhop.lt in late June 2021. The band, fronted by multi-instrumentalist Remis Rančys, consists of guitarist Laimonas Jančas, bassist Paulius Adomėnas, and drummer Domantas Razmus. Olivia Gongas draw from the band’s indie and world music inspirations for this mellow and cosy concert. The Lindyhop.lt has been Lithuania’s longest running jazz dance venue, in operation since 2003. Located in Vilnius, the country's capital city, it features an in-house jazz band that performs arrangements from the rich history of New Orleans jazz, the golden era of swing, and hot club-style jazz.

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Funk & Afro", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Cool Jam, Bibi Tanga, Kingsy Ray, and many others.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. The Morgenland Chamber Orchestra has been an integral part of the Morgenland Festival since 2009. This ensemble of musicians from Germany and various guest countries performs as part of the festival's opening concert. This episode includes performances sometimes energetic, sometimes soft and soothing.

Pianist Kenny Barron’s June 27, 2019 appearance at the Alfa Jazz Festival in Ukraine’s Lviv was a celebration of sublime jazz virtuosity. The revered elder statesmen of jazz piano brought his regular working trio of Kiyoshi Kitagawa (bass) and Jonathan Blake (drums), augmented by stellar jazzman Marcus Strickland (tenor saxophone) and young lion Riley Mulherkar (trumpet). Their seamless blend of classic bebop and modern explorations spoke of a deep, emotive connection to each note, captivating the Ukrainian audience with lyrical improvisations during this unforgettable concert.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Thomas Carbou and Patrick Graham share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix. This concert was recorded at Montréal’s Le Bleury Vinyl Bar, near the Place des Festivals, known worldwide as the venue for the Montreal International Jazz Festival.

This program presents two concerts from Schloss Ansbach in 1978. The first concert features Gil Evans and his orchestra, consisting of Gil Evans on piano, Steve Lacy on soprano saxophone, Arthur Blythe on alto saxophone, Pit Levin on synthesizers, Earl McIntyre on trombone, Lewis Soloff on trumpet, Geoffrey Berlin on bass and Sue Evans on percussion instruments. The second concert features saxophonist Ornette Coleman at the peak of his musically expressive powers. Coleman is joined by Bern Nix on guitar, Charles Ellerbee on guitar, Albert Arnold on bass, and Shannon Jackson on drums and percussion.

The mere mention of the name John Coltrane evokes a deeply emotional, often spiritual response from even the most casual jazz fan. Dexter Gordon was a fantastic saxophonist. Miles Davis was a genius. Coltrane stood above - he was a visionary, a saint-like figure. By the standards of most jazz musicians, his life was uneventful. Sure, he had a heroin habit for a while, and Miles Davis punched him, but once he'd experienced the “spiritual awakening” described in the liner notes of his 1965 album A Love Supreme, he dedicated himself to his music with extreme single-mindedness. This broadcast of Coltrane's 1965 performance at the short-lived Belgian jazz festival in Comblain-la-Tour features Trane's classic quartet with Elvin Jones (drums), Jimmy Garrison (bass) and McCoy Tyner (piano).

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

2006 closed with a spectacular festival of Argentinean music broadcast live from Buenos Aires. At the height of the Argentinean summer, the Orquesta Filarmónica del Teatro Colon under Daniel Barenboim (conductor & soloist) join bandoneon virtuoso Leopoldo Federico and his Orquesta Tipica for an extraordinary New Year’s Eve show with popular tangos and Latin American orchestra classics. The old master of tango, José Carli, created enchanting new arrangements of works by Argentinean artists Astor Piazzolla, Carlos Gardel, Julio de Caro, Alberto Ginastera and Horacio Salgán. Performances by leading tango dancers Mora Godoy and Junior Cervilla from Buenos Aires add atmosphere and round off the night.

Biréli Lagrène is a French jazz guitarist born on September 4, 1966 in a family of gypsy tradition. His brother and his father introduced him from an early age to the repertoire of Django Reinhardt, whose influence is still felt in the style of Lagrène. In this performance, Lagrène pays homage to Django Reinhardt with his son, Babik Reinhardt.

Amsterdam, February 6th, 2018 - The short documentary Rebirth in The Amsterdam Red Light District illustrates how brutal Richard Lems' life as an addict was and his struggle to unshackle himself from the shame. Filled with fierce, freighting, and sad moments, Richard relives his stabbing, stay in jail, drug test, and drug use. Richard expresses himself verbally but mainly relives the moments through drumming, which renders the documentary an intense and unique experience. Addiction doctor and musician Gerard Alderliefste: “If he dares to bottom out, he will see it was the drugs and not himself. Music can bring those emotions to the surface”.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1968, two former colleagues met again on stage, this time leading their own bands at the Newport Jazz Festival in Rotterdam: drummer Art Blakey and pianist Horace Silver were both co-founders of The Jazz Messengers.

Jazz festival slash conference inJazz brings together the supply and demand sides of the Dutch jazz scene, helping artists share knowledge and experiences and stimulating the development of international relationships. The conference program includes inspiring panel discussions, workshops, networking sessions and presentations. During the night, promising Dutch jazz acts as well as more seasoned groups hit the stage to show what they’re capable of. One of the artists performing at inJazz is Agnes Gosling. She has matured as a writer and arranger. The vocalist is unafraid to show her vulnerability. With her quartet, Gosling honors the tradition of great acoustic jazz while exploring new sounds and styles from the contemporary music world.

A two-part documentary, narrated by Dee Dee Bridgewater. Part 2: From Highlife to Musette On the road where European and African music converge, we discover the diverse influences of Jazz and her offshoots that exist today. New styles and revivals of past traditions enrich Jazz and render it the essential element of our entire music culture.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

This uptempo, funky performance proves that B.B. King, one of the Masters of the Blues Guitar has still got it. The band features some of today's best blues musicians playing all of B.B. King's classic songs.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Ladama, is a quintet of women multi-instrumentalists from Venezuela, Brazil, Colombia and the United States who not only perform as a touring band, but also strive to engage youth in their respective communities in the process of musicmaking, composition and audio production through collaboration and performance workshops. Ladama is a positive force in times urgently in need of tolerance and communication.

American trumpeter Miles Davis (1926-1991) was a pioneering jazz musician from the late 1940s to the late 1980s. His influence on 20th century music is hard to overstate, as he trailblazed bebop, cool jazz, hardbop, modal jazz, and electronic music. On October 11, 1964, Miles Davis performed at Teatro Dell’Arte in Milan. With tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams, Davis performed Autumn Leaves, My Funny Valentine, All Blues, All of You, and Joshua.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode presents ‘Linus’, a duo of two composers and improvisers: baritone guitar player Ruben Machtelinckx and tenor saxophonist Thomas Jillings. The intense sound produced by the tenor saxophone and the acoustic baritone guitar yields melodies that take you on a journey through a world of simplicity, purity, and longing.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

His charisma and impeccable phrasing placed him way ahead of the game: ‘The Voice’, Frank Sinatra. The legendary American crooner, who sang swing, jazz, and traditional pop, became one of the most popular and influential musical artists of the 20th century. Tune in to this compilation of historic recordings and let ‘Ol’ Blue Eyes’ transport you to a different time and place with the songs “High Hopes”, “Ol’ Man River”, “Love is Here to Stay”, “I’ve Got You Under My Skin”, “It Was Just One Of Those Things”, and “Luck Be A Lady”.

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On May 28, 1967, American singer and actor Sammy Davis Jr. appeared at the Concertgebouw in Amsterdam for a live, nationwide TV broadcast. Supported by his band conducted by George Rhodes, Davis Jr. combined his singing talent and infectious sense of humor as he covered songs from a variety of genres.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Relive the magic of one of the most beloved crooners in music history in his prime: Tony Bennett! Recorded live in London’s Royal Albert Hall on March 2, 1974, this enchanting performance showcases Bennett's remarkable vocal prowess and charisma to full effect. Bennett is accompanied by his musical director Torrie Zito and an orchestra of British musicians that includes Kenny Clare (drums), Don Lusher (trombone), and Kenny Baker (trumpet). Tune in for Bennett’s captivating take on songs “The Good Things in Life”, “My Favorite Things”, “My Love”, “I’ve Got Five Dollars”, “It Don’t Mean a Thing”, and “Maybe This Time” in this magical concert recording.

The Jig is a seven-piece funk team from Amsterdam that performs hot original works. It is one of a handful true funk groups; an instrumental groove machine with a rock & roll attitude, known for its powerful and exhilarating live shows. The music is up-to-date and personal, adding elements of soul, afro, jazz, and rock & roll to music that is derived from heroes such as Bootsy Collins, Tower of Power, James Brown, Average White Band and The Meters. The band consists of Willem Pluk on trumpet, Jeroen van Genuchten on tenor saxophone, Koen Schouten on baritone saxophone, Bas Grijmans on keys, Martijn Smit on guitar, Arry Niemantsverdriet on bass guitar, and Niels van Groningen on drums. In 2019, The Jig performed this live set in front of twenty thousand people at the fabled Rio das Ostras Jazz & Blues Festival in the Brazilian capital of Rio de Janeiro.

What happens when two musicians are "trapped" on a cruise ship for a week? Naturally, a new album sees the light of day - at least that’s what happened when Anne Chris and pianist Daan Herweg found themselves on a journey by ship together. After a week of providing their fellow passengers with musical entertainment, the two headed to the studio and within a year, Anne Chris’s new album Just Kissed the Sun saw its release. The Dutch singer presents her third album at the North Sea Jazz Club, accompanied by guest artist Bas van der Wal on guitar. Next to the sun, the sound of Robert Glasper, Gretchen Parlato, John Mayer, Esperanza Spalding, Jill Scott and Michael Jackson also seem to have inspired this joyful record.

By the time this set was recorded at Brussels Jazz Club in the summer of 1980, trumpeter Freddie Hubbard had already built an impressive resume. During the 1960s he became a leading voice in the hard bop movement while not shying away from avant-garde sessions with the likes of John Coltrane and Eric Dolphy. In the 1970s, Hubbard expanded his palette by recording in more diverse settings that included electric instruments and orchestral arrangements. On this club date, Hubbard showcases all of the experience he had accumulated up to this point. The working group consists includes David Schnitter on tenor saxophone, Billy Childs on keyboards, Larry Klein on bass, and Sinclair Lott on drums. Watch as the quintet deftly switches between acoustic and electric instruments and Hubbard entertains the crowd with his onstage antics.

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with gipsy jazz heros Stochelo Rosenberg, Martin Limberger and Frans van Geest. The strength and precision of Van Geests' rhythms and tempo, and the ease with which Stochelo's lead guitar soars above them, make this band a cohesive collective - unique in their renditions of standards, Django's classic compositions, and original tunes composed by Stochelo himself.

On June 4, 1962, the first Festival International de Jazz ‘Adolphe Sax’ took place in the Belgian town of Dinant, where Adolphe Sax, the inventor of the saxophone, was born in 1814. Not surprisingly, most artists on the program are saxophonists. A Belgian quartet, consisting of tenor saxophonist Jacques Bailly, guitarist Willy Donni, drummer Bruno Castellucci, and bassist José Bedeur, opens the festival. The second highlight of the festival is a trio of Belgian pianist François Boland, who appeared with American bassist Jimmy Woode and Belgian drummer Freddy Rottier. They are joined by four international guest saxophonists: German tenorist Klaus Doldinger, Belgian altoist Jacques Pelzer, British altoist Derek Humble, and Austrian saxophonist Karl Drewo. Following individual solo features and a joint encore, a true saxophone legend appears on stage: veteran American tenorist Coleman Hawkins. Accompanied by his compatriots Jimmy Woode (bass) and “Kansas” Fields (drums) and French pianist George Arvanitas, Coleman Hawkins plays an hour-long concert that includes "Disorder At The Border", "Autumn Leaves", "Lover Come Back To Me", "Moonlight In Vermont", "All The Things You Are" and “Ow!”. This concert is the perfect conclusion of the first jazz festival in honor of Adolphe Sax.