Program Stingray Djazz

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel Today’s broadcast shows a special gathering between two grandmasters of French jazz: pianist Jacky Terrasson and trumpeter Stéphane Belmondo. The two team up for an amazing concert in which jazz is combined with soul and a touch of chanson française. The Franco-American pianist Terrasson delights in travelling the world, collaboration with others and leading his own trio, quartet, or quintet. With his long-time friend, Stéphane Belmondo, Terrasson has produced wonderful CDs and beautiful concerts. One then finds the trumpeter on the pianist’s album ‘Gouache’; on another, the pianist guests on Belmondo’s ‘Ever After’. At the Jazz en Baie festival, the duo plays its amazing piano and trumpet music. Highly recommended!

Lex Jasper Trio: Happy Days Are Here Again - the title says is all… After an automobile accident and 15 years of revalidation, he is back! Together with his musical pals Edwin Corzilius (double bass) and Frits Landesbergen (drums), pianist and composer Lex Jasper celebrates his return to jazz club The Duke in the Dutch village of Nistelrode. Following his car accident, Lex nearly joined the leagues of Netherland's “forgotten” jazz heroes, though he is still considered one of the most important artists and composers of his generation and Dutch jazz history. Jasper played and recorded with all the greats, including Toots Thielemans, Clark Terry, Joe Pass, and Rita Reys.

The Modern Jazz Quartet (MJQ) was composed of Milt 'Bags' Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums. Milt Jackson and John Lewis were pioneer bebop musicians who had played together in Dizzy Gillespie's 1948 big band. They pursued separate careers before adding Heath and Lewis to form the Modern Jazz Quartet in the 1950s. Noted for its delicate percussion sonorities, innovative jazz forms, and high performance standards, the MJQ was an immensely popular jazz and “third stream” ensemble until its final concerts in the early 1990s.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

In 1963, the small Belgian town of Comblain-la-Tour hosted an exciting line-up of both new and older jazz groups. Opening things up is the British trombonist Charlie Galbraith’s All Star Jazz Band, performing classic Dixieland jazz. Next up is German singer Knut Kiesewetter, who, with backing from the Prague Dixieland Band, sings the blues. Perhaps the highlight of this event is the coupling of American alto saxophonist Bud Shank with Dutch pianist Pim Jacobs’ trio, who play standards and bossa nova. Bringing things to a close are French clarinetist Marc Laferrière and his New Orleans Stompers with more classic Dixieland.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

Estival Jazz Lugano is an annual open-air music festival that takes place over five days at the picturesque city of Lugano, Switzerland. Since 1979, this musical Mecca has been a must-attend event for all jazz and world music fans worldwide. On July 3, 1985, pianist and space-faring jazz icon Sun Ra and his Arkestra crash-landed at Estival Jazz Lugano. Featuring saxophonists Marshall Allen, John Gilmore and Danny Ray Thompson, clarinetist Eloe Omoe, flautist James Jackson, trombonist Tyrone Hill and a cavalcade of other costumed talents, Sun Ra puts on a truly out-of-this-world concert.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands representing Switzerland in the festival's RE:CONNECT showcase is the Louis Matute Large Ensemble, a group led by guitarist Louis Matute. Their concert features euphoric and bittersweet melodies tinged with pop and saudade, creating a sound that is both rich and deeply personal. The ensemble features Léon Phal (saxophone), Zacharie Ksyk (trumpet), Andrew Audiger (piano), Nathan Vandenbucle (drums), Virgile Rosselet (double bass), and Louis Matute (guitar).

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1984, Japanese jazz pianist Makoto Ozone was one of the artists appearing here. Having recently graduated from Berklee College of Music in Boston, Massachusetts, USA, Ozone performed a mesmerizing solo concert for the festival’s audience. Today, Ozone is among the most recognized Japanese jazz musicians in the world.

Blue Note Records is arguably the most prestigious jazz label. Since its foundation in 1939, it has continued to attract young talent. To celebrate the label's 75th anniversary in 2014, young musicians formed the 2014 Blue Note All Stars and appeared at the Blue Note Jazz Festival at the Gaîté Lyrique in Paris. Pianist Robert Glasper, guitarist Lionel Loueke, virtuoso trumpeter Ambrose Akinmusire, bassist Derrick Hodge, saxophonist Marcus Strickland and drummer Kendrick Scott constituted the dream line-up. United for the concert, they played songs from their respective albums, as well as great standards revisited for the occasion and to bring you the next level of jazz!

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

Rising star of the jazz guitar Scott DuBois leads his quartet, consisting of Gebhard Ullmann (reeds), Thomas Morgan (bass), and Kresten Osgood (drums), in an intimate and atmospheric performance at Munich’s Jazz Club Unterfahrt in March 2016. The group’s telepathy is such that they are able to go from deathly quiet to fiercely avant-garde at the drop of a hat. For this occasion, DuBois and his group gave a full performance of his "Winter Light" album, released a few months earlier, plus his 'Lake Shore Suite'.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

The term "jam-session" was coined in the 1920s when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Titled "Legendary Jazz", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Steve McCraven, Oona Guino, Rodolphe Lauretta, and many others.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

We Pause and chat with local and international artists to get an in-depth look at their lives and music, they Play some amazing music in these, one-of-a-kind, live sessions! These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

When Daryl Hall and John Oates took to the stage at Sydney’s Entertainment Centre as the iconic bass line of ‘Maneater’ began to play, the fans knew they were in for a treat. This duo may have been opening concerts with that irresistibly smooth number for years, but it never seems to lose its magic, and the crowd – an eclectic mix of teens and baby boomers alike – lapped it up. Daryl Hall and John Oates wisely reunited a few years ago after a string of solo projects, and although Oates no longer sports his signature ‘tache, they put on the kind of show that makes it hard to believe they even considered going their separate ways. Earworms like ‘I Can’t Go For That’, ‘Out Of Touch’ and ‘Kiss On My List’ were surefire reminders that these guys are absolute hit machines, and their catchy synth-soul classics probably deserve to permeate the airwaves as much today as they did decades ago. These Philly crooners still have it in bucket-loads, so this show should have everyone from diehard Daryl Hall and John Oates fans to kids of the 80's groovin’ along in no time.

Moondog, a gaunt, mysterious and extravagantly-garbed blind street musician was celebrated among New Yorkers for two decades before gaining acclaim in Europe as an avant-garde composer conducting orchestras before royalty. Artists such as Charlie Parker, Leonard Bernstein, Steve Reich and Philip Glass have called him one of the great musical visionaries of our century. Day in and day out, the man whose real name is Louis T. Hardin, was as taciturn and unchanging a landmark of the midtown Manhattan streetscape as the George M. Cohan statue in Duffy Square. No matter the weather, he invariably dressed in a homemade robe, sandals, a flowing cape, and a horned Viking helmet - the tangible expression of what he referred to as his “Nordic philosophy”. For this show, he teams up with renowned saxophone ensemble London Saxophonic for an eccentric performance.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

Unlike many of his fellow jazz cats, vocalist Gregory Porter transcends the jazz bubble. After sustaining a shoulder injury, this former American football player turned to jazz singing. He was discovered in a Californian jazz club by pianist, saxophonist and composer Kamau Kenyatta. Porter lent his vocal skills to gospel choirs across the country and a string of successful musicals before turning his talent to his own compositions. His rise since then has been meteoric. Porter’s magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line. This live performance at the Olympia showcases this man's worth, and is a truly amazing experience!

Double bassist Avishai Cohen’s trio with Noam David (drums) and Omri Mor (pianist) joined forces with the international Symphony Orchestra ‘INSO-Lviv’, conducted by Christian Schumann. On June 24, 2017 they brought Avishai Cohen’s signature blend of influences from Eastern Europe, American jazz and the Middle East to the Alfa Jazz Festival in Lviv, Ukraine. Cohen, who also supplies vocalizations in the Judeo-Spanish dialect Ladino, came to prominence internationally in the 1990s when jazz great Chick Corea offered him a place in his trio and a recording deal. Thirty years later, Cohen has become a house-hold name himself, leaving his Ukrainian audience enthralled and connected through the universal language of music.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

The Netherlands Chamber Orchestra commissioned violinist Tim Kliphuis, internationally known for his genre-crossing approach to music, to write a new version of Antonio Vivaldi's ‘Four Seasons’. Kliphuis choose to take improvisation as his starting point; at the same time, he intended to leave the best-known Vivaldi themes and chords in, as they give the piece its wonderful energy. The result is a fresh and exciting interpretation that never loses sight of the original. Each season has a different character: the freshness of spring is reflected by the use of Irish and Norwegian traditional music; the summer heat can be heard in the American jazz and funk rhythms; the autumn includes a galloping safari hunt in South-Africa and the ice-cold winter warms up with the energy of Russian gypsy music. For each movement, Kliphuis has a metropole in mind which he visited on his previous concert tours. You’re about to witness a truly genre-crossing spectacle!

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Miriam Makeba, also named Mama Africa, was a South African singer, actress, United Nations goodwill ambassador, and civil-rights activist. Her career flourished in the US, where she released several albums. Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Her performances at Estival Lugano is beyond incredible. Her voice, the power and the soul summarizes her musicality in 40 minutes, together with her band and extremely talented backing-vocals.

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. Foot Together is a TorTube episode featuring Dutch jazz icon Hermine Deurloo on the chromatic harmonica, in collaboration with the Dual City Concert Band led by Rini Swinkels. The spirited big band plays swinging and powerful jazz, with the incredible Hermine Deurloo adding a touch of Toots Thielemans as she plays her Hohner Toots Mellow Tone mouth organ.

Salif Keita’s music is a rich combination of traditional Malian music with European and American influences. We can hear this in the instrumentation of Keita’s music, which varies from traditional West-African instruments to Western European ones. The Malian singer was cast out by his family because of his albinism. In 1967 he moved to Bamako, where he started his musical career and joined Les Ambassadeurs (Internationaux). He achieved international acknowledgement with this band in the 1970s. After spending a couple of years in Ivory Coast, Salif has found his home base in Paris since 1984. During this 2010 concert, he proves to be rightfully referred to as “The Golden Voice of Africa”.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is Trio Macaíba, consisting of Beto Corrêa (accordion), Cléber Almeida (zabumba, a type of bass drum), and Ramon Vieira (triangle). Their use of a traditional instrument combination, as well as cultural research, which all members of the group are dedicated to, contributes to the authenticity of the music and their experience as musicians.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. Among the performing ensembles is the KAMA Kollektiv. The young Finnish singer and trumpet player Kirsi- Marja “Kiki” Harju leads the KAMA Kollektiv. At one moment groovy and quirky, melancholic and sentimental the next, the group’s music reflects on the confusions and challenges of today's world. Its influences range from the style of jazz artists such as Mathias Eick to the Nordic's trademark melancholic soundscapes full of minimalism, folk, and indie pop. Kirsi-Marja Harju is joined by pianist Chaerin Im, double bassist Jonathan Nagel, and drummer Joe Korach.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Paris-born Syrian flautist and composer Naïssam Jalal is among the artists presenting their music at jazzahead! 2022. With her band Rhythms of Resistance, Jalal embodies the spirits of a diverse range of musical expressions. From her European classical music education to studying nay in Damascus, to years spent in Egypt learning Arabic classical music, returning to Paris for collaborations across the musical spectrum from jazz to hip-hop to pan-African styles, and investigations of Carnatic music, her achievements are impressive. Naïssam Jalal (flute, vocals) is accompanied by Mehdi Chaib (tenor saxophone), Karsten Hochapfel (guitar, cello), Damien Varaillon (double bass), and Arnaud Dolmen (drums).

This broadcast is the first part of a concert performed by Art Blakey and the Jazz Messengers, recorded at the Théâtre des Champs Elysées in Paris in December 1959. Co-founded in the early 1950s by American jazz drummer Art Blakey and pianist Horace Silver, this hard bop ensemble performed and recorded until Blakey died in 1990. Many jazz greats got their start in this band, including trumpeters Lee Morgan and Wynton Marsalis, saxophonists Benny Golson and Wayne Shorter, pianists Joanne Brackeen and Keith Jarrett.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

This program presents two concerts from Schloss Ansbach in 1978. The first concert features Gil Evans and his orchestra, consisting of Gil Evans on piano, Steve Lacy on soprano saxophone, Arthur Blythe on alto saxophone, Pit Levin on synthesizers, Earl McIntyre on trombone, Lewis Soloff on trumpet, Geoffrey Berlin on bass and Sue Evans on percussion instruments. The second concert features saxophonist Ornette Coleman at the peak of his musically expressive powers. Coleman is joined by Bern Nix on guitar, Charles Ellerbee on guitar, Albert Arnold on bass, and Shannon Jackson on drums and percussion.

Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

Short Documentary about Jazz in The City: London.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Jazz first gained a foothold on Latvian soil in the 1920s. A century onward, this documentary traces the first two decades of jazz in Latvia in this portrait of Jack Michalicky, the first known Latvian jazz pianist. Michalicky was a musician from head to toe – a gifted violinist, he truly felt at home at the piano. Slender and lithe, the imaginative pianist’s fingers flew across the keys like a true miracle. Seemingly indefatigable, Michalicky would play improvised solos during breaks in the band's sets, if the patrons wished. This brief yet insightful documentary, which places this remarkable musician in the context of post-WWI jazz in Europe, was produced by Latvian Mareks Ameriks.

From the polyglot border region of Ticino in Switzerland – well-known for its beautiful Lake Maggiore and the International Film Festival in Locarno – comes ‘Final Step’, guitarist Matteo Finali’s seven-piece band. 'Live @ Il Magazzino' is the band’s third album since its formation in 2003. The diverse musical backgrounds of the various band members shine through on the album: it is a fusion of jazz, rock, funk, blues and ethnic music. The rousing electric guitar solos by band frontman Matteo Finali are perfectly placed highlights in an excellent ensemble full of natural showmanship, for which he leaves plenty of room for creativity. The result is an intense piece of jazz, with influences just as diverse, original and surprising as Ticino.

Frédéric Gassita’s biggest influences are Ravel and Debussy, Chick Corea, and Herbie Hancock – whom he met as a student in Boston. His work combines his African roots, rhythms, and orchestral music. Gassita's interest for orchestrations started at the Berklee College in Boston, where he studied music production, sound engineering, and jazz performance for four years. Today, he’s conquering Africa with his music style.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Embark on a remarkable journey through the world of jazz piano as we showcase some of the most iconic and influential pianists in history. This collection of extraordinary performances captures the unique essence and brilliance of legendary pianists Art Tatum, Thelonious Monk, Bud Powell, and others. Revel in Oscar Peterson’s virtuosity as his trio plays “C-Jam Blues” in Holbaek, Denmark, on May 2, 1964. Let the sublime artistry of Art Tatum captivate you as he interprets Antonín Dvořák's “Humoresque” in 1953. Discover Thelonious Monk’s enigmatic genius as his quartet performs his iconic composition “Round About Midnight” in Poland on April 4, 1966. Experience the timeless appeal of the Dave Brubeck Quartet's odd-metered “Take Five", recorded live in Brussels, Belgium, on October 10, 1964. Delight in the lyrical beauty of Bud Powell's solo performance of “Sweet and Lovely” at the Antibes Jazz Festival of July 13, 1960. Witness the fusion of jazz and funk in Herbie Hancock & The Headhunters' exhilarating studio performance of “Sly” in Bremen, Germany, recorded on November 6, 1974. Lastly, enjoy the soulful grooves of Horace Silver's “Song for my Father” performed by his quintet at the Umbria Jazz Festival of July 20, 1976. Tune in and let these legendary jazz pianists transport you on unforgettable musical adventures!

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1968, two former colleagues met again on stage, this time leading their own bands at the Newport Jazz Festival in Rotterdam: drummer Art Blakey and pianist Horace Silver were both co-founders of The Jazz Messengers.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the acts presenting themselves at jazzahead! 2025 is the Scottish duo Norman and Corrie. Their performance resurrects archival tunes from the Shetland Islands. Using saxophone, drums, organ foot pedals, and cutting-edge sound design, they create a vibrant sound that honours the past while forging new paths. The duo consists of Norman Willmore (saxophone, organ pedals, and laptop) and Corrie Dick (drums).

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this series is pianist Karin Fernandes. She is dedicated to the performance of 20th and 21st century piano repertoire and has premiered numerous new compositions. As a soloist, Karin Fernandes has performed with prestigious Brazilian orchestras.

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the pianist Elliot Galvin is a member of the young UK jazz group Dinosaur. Performing with his trio, the gifted musician has been compared to Django Bates for his maverick imagination and ability to blend influences from all over the world.

In 1956, Duke Ellington and his Orchestra performed a legendary set at the third annual Newport Jazz Festival. It was tenor saxophonist Paul Gonsalves’ outstanding 27-chorus solo on “Diminuendo and Crescendo in Blue” that revitalized Ellington’s career. The success generated during that performance carried him for the rest of his life. By 1973, festivals carrying the Newport name were organized all over the world. Less than a year before his death, Ellington and his Orchestra, with Gonsalves still in the fold, appeared in Brussels to deliver a timeless performance before a highly appreciative crowd.

The band Sven Hammond used to be known as Sven Hammond Soul. But the members have remained the same, with Ivan Peroti (vocals), Sven Figee (hammond/keys), Tim Eijmaal (guitar), Glenn Gaddum Jr. (bass) and Joost Kroon (drums). Sven Hammond creates greasy funk and soul, featuring hammond grooves, pop and jazz. This steaming music and show machine is headed by Sven Figee, who prefers to attack rather than play his Hammond organ. This time they celebrate their "10-Year Party", and a funky show is guaranteed!

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

An extraordinary collection of clips in all jazz genres from the most beautiful concerts and the most special festivals, performed by the finest jazz musicians.

Four exceptional musicians team up to perform classic pop and soul songs made famous by the likes of Gregory Porter, Stevie Wonder, U2, Seal, and many more. Pianist Alfio Origlio signed up to do the arrangements. Walter Ricci, an accomplished jazz vocalist from Naples, eases us into his musical universe with his stunning sensitivity. He is accompanied by an exceptional rhythm section composed of Manu Katché on drums, Jérôme Regard on bass, and Alfio Origlio on piano. This concert was recorded at Festival Jazz au Sommet 2020 in France.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

The Jig is a seven-piece funk team from Amsterdam that performs hot original works. It is one of a handful true funk groups; an instrumental groove machine with a rock & roll attitude, known for its powerful and exhilarating live shows. The music is up-to-date and personal, adding elements of soul, afro, jazz, and rock & roll to music that is derived from heroes such as Bootsy Collins, Tower of Power, James Brown, Average White Band and The Meters. The band consists of Willem Pluk on trumpet, Jeroen van Genuchten on tenor saxophone, Koen Schouten on baritone saxophone, Bas Grijmans on keys, Martijn Smit on guitar, Arry Niemantsverdriet on bass guitar, and Niels van Groningen on drums. In 2019, The Jig performed this live set in front of twenty thousand people at the fabled Rio das Ostras Jazz & Blues Festival in the Brazilian capital of Rio de Janeiro.

Big hits, booty dancing, stage dives, fan freestyles and of course, controversy, A$AP Rocky's debut Down Under tour had it all! At his sold-out Sydney show, hip hop's hottest star and 5000 rowdy fans got wild for the night at the Hordern Pavilion and we captured it all exclusively.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1980, American soul legend Ray Charles brought the Raelettes and the Ray Charles Orchestra to the North Sea Jazz Festival in The Hague. With the full force of these two groups behind him, Charles showed why throughout his storied career he has been viewed as one of the most recognizable voices in music.

Legendary free jazz pianist Burton Greene rose to fame in New York City's free jazz scene of the 1960s. Exploring various spontaneous improvisational styles, Greene performs live at Cafe OTO in London, UK.

1977 saw the recording of an audiovisual project that was hitherto unparalleled in Dutch jazz and television history: the ‘Zeeland Suite’. Pianist Leo Cuypers composed this suite, parts of which were recorded for television on different locations in the Dutch province of Zeeland. A 7-piece band, featuring Willem Breuker and members of his Kollektief, performed Cuypers’ music. The combination of live music and epic footage, some of which was filmed from a helicopter, was the basis for a 50-minute television broadcast. Jeroen van Vliet’s ‘Zeeland Suite Revisited’ is an updated version of this remarkable project. Pianist Jeroen van Vliet, 2014’s Boy Edgar Prize winner, composed new music. Using a new band – and new technology: drones – this new project once again shows the beauty of Zeeland. Today’s band features many big names from the contemporary Dutch jazz scene, gathered to pay tribute to Zeeland’s characteristic landscape.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. The other performances were captured by the artists themselves on various locations of their own choosing. Among the performing artists is Seoul-based Korean drummer, composer, and artist Soojin Suh. She is joined by alto saxophonist Daniel Ko, tenor saxophonist Sunjae Lee, and double bassist Younghoo Kim. Soojin Suh has become known as one of Seoul's most promising drummers since she first made her mark on the professional scene in 2008.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is the trio of harmonica player Ariel Bart. The New York-based harmonica player has a unique ability to convey distinct emotions, ranging from nostalgia to bursts of sheer happiness. According to London Jazz News, her music captivates with its “beautiful and haunting” clear tone. At jazzahead!, Ariel Bart (harmonica) is accompanied by Talia Erdal (cello) and Arseny Rykov (piano).

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. The Dutch-Belgian acoustic-electronic piano threesome ‘De Beren Gieren’ (‘The Bears Shriek’, ‘Les Ours Vautours’) are known for their unique energetic sound, sparkling melodies, complex song structures and quirky song titles. ‘De Beren Gieren’ brings a fresh yet familiar blend of polyrhythmic soundscapes, sing-alongs, and elitist twists, building a sonorous bridge between early 20th century classical compositions and more contemporary escapades. ‘De Beren Gieren’ show an ability to change mood quite suddenly in a way that constantly holds the audience’s attention. A surprising live experience not to be missed!

American soul and jazz organist Rhoda Scott spent most of her career in France, where she earned recognition far greater than that accorded to her in the United States. There was never any doubt about what instrument she would play as a child. "It's really the most beautiful instrument in the world,” she once stated in an interview. “The first thing I did was take my shoes off and work the pedals.” This performance at the French Festival Jazz à Vienne is extra special. Not only because of the beautiful location, but also because she shares the stage with American gospel and blues singer La Velle. Together they give an intimate and beautiful show in the antique theatre of Vienne.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. One of the artists performing here in 2019 is Al Di Meola. This pioneering guitarist blends world music, rock and jazz. His ongoing fascination for complex rhythmic syncopation, combined with provocative lyrical melodies and sophisticated harmony, has been at the heart of his music throughout a celebrated career. The Grammy Award-winner has achieved international fame both as a solo artist and due to his collaborations with the world's biggest artists.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The composer, trumpeter and bugle player Franco Ambrosetti performs with his quintet in his native Lugano as part of the Estival.